IATEFL 2018: Versioning coursebooks for different contexts: What, how and why? – Heather Buchanan and Julie Norton

Heather and Julie, some of the authors of Navigate, while at OUP came across a room that was full of different versions of Headway and this was quite a revelation to them. They wanted to find out more about it as there is not a lot written about it in the academic literature. Later in the session we will be doing some versioning but first we will hear about data collected based on three questions that were asked.

Versioning is making changes to a course book for particular conditions in a country or region. Can be categorised in three ways – market versioning (make it suitable for different countries/regions), customer versioning (for particular institutions who may request it) and cosmetic versioning (very small changes). Often retains branding and name but in some cases a completely different name. As the world and coursebooks become more globalised, versioning becomes less of an issue.

Task 1 – A double page spread from Headway elementary, to be adapted for the Middle East

  • can’t have women showing any flesh
  • no wine in the pictures
  • family is a safe area? not culturally offensive

…were ideas put forward.

Actual changes:

  • The vocabulary for boyfriend and girlfriend has gone, also the pictures
  • No asking the teacher questions
  • Names and images are different
  • People are all covered up
  • Fewer photographs, page looks simpler, more white space

This is not prescriptive, just an example.

Three research questions:

(H and J would like to add to the data if anyone in the audience/beyond has experience of versioning, via Skype interview.)

What is involved in versioning a coursebook?

It depends! Course content, language content, might be making it more suitable for SEN, the package might change (e.g. combing student book and workbook or adding an extra digital component), design and image might change (fewer photographs, clearer font), rubrics in L1 might be added. Publishing cycle might influence versioning, affecting the extent of the changes that can be made.

What roles do different stakeholders play in the process?

Same stakeholders are involved. It’s like making a mini-product. Local focus groups will have a lot of input. Authors will have different roles – the original authors might decide and implement changes or they might not be involved at all or it might be outsourced to local experts.

How is the original text changed in terms of cultural content, language, methodology and design, and why?

Package

Digital components may be customised, additional support may be added. For secondary versions, additional support is popular e.g. including dyslexia friendly fonts in reading texts. This may be required by the customers. Student book and workbook for Italian secondary schools is common.

Cultural content

Doesn’t only involve taking things out but also involves putting things in. This may be the case with national identity for example. Local festivals, traditions and places might be integrated. There was also a concern to make sure that world cultures are represented in a balanced way, as well as including the familiar. Sensitive topics had to be removed e.g. references to religion or alcohol. Gender representation may have to be looked at. Language content might need to be geared towards particular exams that students have to pass. Content for discussion topics would need to be carefully considered and appropriate.

In Headway Plus there are more photographs of males than of females in the book.

Language

Might include more exam practice. Language doesn’t change that much but the grammar syllabus might change e.g. in American courses book, the present perfect. Levels of formality might be different too – more direct in American versions. Accents needed to change and the audios to represent the right kind of cultures. Bilingual word lists could/should be added for certain markets. Phonemes/sound charts might be different too e.g. American vs British. Minor changes.

Methodology

An area you don’t tamper with so much. You start with the best fit so fewer changes are necessary but an example of a change could be including L1 rubrics, as in a German coursebook they looked at.

Design

Images change e.g. in terms of clothing. If there was foresight of a version becoming available, the photoshoot might be done with two shots for any given image. The covers tend to be recognisable for the brand similar but a little bit different. Where there is a script different, having more white space makes a big difference. In America there is a single column to a page usually while in the UK there are two. Changing accordingly may or may not happen. If multiple images aren’t comissioned at once, stock photos may be used instead. E.g. the example of the kitchen where in Headway + no people rather than with a bottle wine. Seamus McSporran with 13 jobs became the man with 12 jobs to eliminate the one where he delivers beer in a barrel!

Political Concerns

Versioning aims to make materials relatable but it involves representing the world in a particular way which raises political, ethical and commercial concerns. Coursebooks determine the nature of what is presented in the classroom. What about diversity and incidental representation – the question raised is “Could we have a little bit of diversity in the background perhaps? E.g. a wheelchair user in the background of a photo” – Would that be useful?

Comments on this was left for later on…

So where do we go from here?

Hugh told us that in the Belgian market has welcomed lots of traditionally “taboo” topics.  Versioning can enable this.

Another member suggested there is more scope for considering how to include diversity for a conservative market. Also Muslims need language to express I don’t eat/drink pork/alcohol because… However, another said that the Ministry of Education in Dubai would remove it and heads would roll.

I managed to squeeze in my question as the last of the day: Do publishers ever version course books for the UK? The response from the speakers and the audience was not to their knowledge…

And a final request:

Onestopenglish.com “Author of the Month”

Well, I hadn’t really thought of myself as an “ELT Author” until my editors at Onestopenglish asked me to complete a questionnaire. I feel like it’s still something I’m aspiring towards! Still, working with Onestopenglish has been a lucky start for me.

Rather than any kind of competition, the idea of the Author of the month page is to enable the users of the website to learn a bit more about the authors who write for it:

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I also hadn’t thought of myself as one of an “amazing team of expert authors” (I mean, while I can believe the others are experts, I wouldn’t put myself in the ‘expert’ bracket!), but there we are! I’m honoured to be included on the list as a result of the on-going (but nearly complete) work that I’m doing on Compass with my editors at Onestopenglish as a result of that Macmillan-sponsored ELTon I won a couple of years ago.

I had to answer the following questions:

  • Tell us a little about yourself
  • How would you describe yourself in five words?
  • How did you start your writing career?
  • Where’s the most interesting place you’ve taught?
  • What’s your proudest teaching moment?
  • What’s your most embarrassing teaching moment?
  • What’s your favourite joke?
  • What are your tips for becoming an ELT author?

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To find out my answers to the rest of the questions, you’ll have to visit the page (which you can access by clicking on the photo of it above)!

Thank you, Macmillan/Onestopenglish folk! 🙂

IATEFL 2016 What makes an outstanding ELT coursebook? The publisher’s perspective (Heather Buchanan and Julie Norton)

The final talk I’m attending today is by Heather Buchanan and Julie Norton, who teach at Leeds Beckett University and University of Leicester respectively. They have been involved in materials development for about 20 years, from a theoretical academic perspective for a long time, and more recently worked on the Navigate series, which was a wonderful opportunity to see things from another more practical perspective. They did a talk last year about expertise in writing, where they asked writers and editors what constitutes expertise in course book writing but predominantly responses from writers. At the end, an editor said it was a shame that the sample was so skewed. This talk is to put that right!

Apparently the voices of editors are very rare in the literature.

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Heather and Julie are interested in redressing that so that expertise can be shared. Another reason to do this is because practitioners, teachers and researchers understand a bit more about how course books are produced. Understanding this helps to understand why materials are the way they are and understand the pressures that are faced in producing a multiple level series of course books in a short space of time. They’ve noticed in recent years at IATEFL that that seems to be a goal, for example with SIGs like MaW SIG and groups like ELT Teacher2Writer. They are all trying to help people understand how to write materials and get foot in the door. Heather and Julie hope to contribute to this process.

They have been collecting data since January this year, some of which before the MAWSIG day and have continued since and have x hours of interview data, which is a lot. They have learnt a lot from the process of interviewing people. They’ve interviewed 21 editors and publishers this year, some in focus groups and some in individual interviews. This happened over Skype. They’ve spoken to a variety of different kinds of publishers and editors both in-house and freelance, with various experience, and designers as well. So lots of different perspectives. It’s been interesting to understand more about the process of how course books are developed in this way. They have a lot of rich data even though it’s a small-scale study really. They thank all the respondents as it has been both useful and very enjoyable.

They are going to highlight some of the main themes and give their interpretations and comments on this. Then we are going to be asked for our opinions. As it is a workshop, there will be a few discussions as well. We are will look at the four research questions one by one, discuss them and hear about what Heather and and Julie found out.

Research Questions

  1. Coursebooks are now said to be more publisher-led than author-led. Why is this and what impact does it have on the end product?

  2. What makes an outstanding coursebook? Please give examples.

  3. What is the editor’s role in creating outstanding ELT coursebooks?

  4. If you planned to launch a new global coursebook series, what would you look for in an inital sample from a prospective writer? What skills do writers need to produce outstanding materials and how can these skills be developed?

Deliberately broad, in order to get people talking about it. The main question very broad – what makes an outstanding course book. They also tried to get at this idea of the course book being more publisher-led, in the development and instigation of ideas. They wanted to know why this was and how it affects the product at the end of the day. They were also interested in the editors role and in what publishers are looking for when writers send in a sample, what makes them take on a writer and what makes the reject? And finally what skills are needed, how can the skills be developed?

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These are some snippets from the data as an overview. We need to discuss them. Some are direct quotes and some are paraphrasing.

Following the discussion, we are asked for any comments we have on the quotes. The broadness of the questions allowed Heather and Julie to explore and then drill down into areas of interest.

Next we moved onto individual points.

Here are some of the things that people said in response to question 1:

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An audience member felt there was an element of truth in the digital uncertainty comment – there has been. For example the one laptop per child policy that got dropped.

Julie says a lot of people talked about the impact of technology but also about that course books are more market led than publisher led. A long time ago, teh author was more instrumental in the conceptualisation of the series than now and there are various reasons for that. Firstly, digital makes the projects huge, for example 450 people. Trying to manage that, including getting information about what is wanted by the market, what has to happen in house (Design, production, a range of editors, techie people, marketers etc). There is also huge time pressure to get all the levels out at the same time if possible, so if you have a six-level course that is a huge undertaking, maybe you have to split into two years. You also need to meet consumers’ needs in order for the book to sell. Some publishers draw on massive corpora that they have collected and use them to inform the materials. So it has to be publisher led as the publisher has the information. The impact should be positive in terms of people feeling their needs have been met. A problem might be that it lacks freshness as people asked what they want are unlikely to ask for too much change, they might want something very similar, leading to that “vanilla anodyne effect”. With some courses it might be possible to have the necessary local expertise in terms of authors, producing something for a clear target audience, which might be very positive. It might feel like the author’s role is downgraded as the publisher is trying to take on so many other views.

There is a tension or balancing act to try to innovate within particular constraints.

 

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An audience member suggested it should be user-friendly, easy to use. Another suggested it should be open to adaptation. Two closely related points, as Heather says. The person who said the quote in the orange speech bubble was talking about imposing methodologies on people in different cultures, whereas some people discuss it as including teacher training within the materials. It depends how its done, how its introduced, is it imposed or not. It’s a very complex issue.

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Heather said the first point was no surprise. It’s important to meet all kinds of different needs e.g. SEN. Will the students be able to relate to the materials? Then, the second point, the teacher needs to be able to pick a course book up, walk into class and teach from it, knowing it would be reliable and they wouldn’t have to spend a long time planning. However, teachers may also want to do more with the materials, adapt them, use some bits but not others. The tricky thing is catering for both types of teachers. Of course we also need to know that the course book is accurate, answers all correct. Then there needs to be a sound theoretical basis, which can be a range of things from being based on corpora, to the methodology used etc. The architecture is about the flow and shape of lessons and units, how they are built. People talked about the personality of the course book, based on the type of methodology, the look and design, the author voice, the kind of texts you are using. Some people also talked about it being aspirational for teachers, they may feel they are becoming a more communicative teacher by following those materials, for example.

Some finer points:

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Moving on to the editor’s role:

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Heather and Julie were interested in what the editors bring to the course books and found that some of the points were contradictory as the editor plays a tricky role and has to handle complex situations. They thought it was a nice way to look at it, to think of the editor as a bridge between the people involved in the process.

We are reminded that there are different types of editor, e.g publishing and commissioning, development/content, copy editors for the nitty gritty and there is also the free-lance/in-house editor split.

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As well as coordinating, feeding back information. Also sticking up for the author to the publisher and vice versa, so the critical bridge role. They might do some research post publication and realise that certain things have been omitted and produce pdfs to go online to address that issue. A crucial role is giving feedback on drafts, which involves being quite diplomatic, it is a complex relationship between author and editor. The editor has to represent different teachers to the author as the author can’t have experience of teaching in evert different contexts but the editor can do research into different contexts and feed that back. Often they have been teachers themselves too. They have to be devil’s advocate/critical friend, which is quite a challenging/daunting role (imagine doing it for Michael Swan’s grammar!). Authors are going through all kinds of things in real life – so, knowing when to send a bunch of flowers is important too.

We ran out of time for the remaining question/rest of the slides but are invited to email Heather and Julie to get them.

However, the conclusion is:

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The editor is instrumental in controlling quality in course books and sometimes we forget what a useful process it is. We often talk about how difficult it is to receive feedback but the end product is going to be better for that. Heather and Julie are calling for more transparency and communication about the process.

They agree with Tomlinson on the following and would love to be involved in the process! This sort of research could be really important to feedback into future products.

 

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It was a really interesting talk and it’s a shame we didn’t get on to the final question!

IATEFL 2016 Materials Writing SIG Open Forum

Rachael Roberts starts by welcoming us to this open forum by explaining about MaW SIG. It is for everybody!

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She’ll tell us about what has happened this year and plans for the future, which will be followed by a financial report and a talk by the scholarship winner. This will be followed by the raffle and some nibbles.

The MaW SIG year

2015

Rachael tells us that MaW SIG are very keen to foster links with associates in various countries to set up more meet-ups. There were meet-ups in Oxford and Berlin. There was also an online meet up, the MaW Online Festival.

A sad thing happened in that Hans Mol passed away in November, he was in charge of publications and was a founding member of the SIG.

The committee!

The committee!

The SIG is looking for someone to do the Deputy publications coordinator. They are also looking for a Technology Coordinator and a Deputy Events Coordinator. If you are interested in these roles, you have till the 22nd April to apply.

The SIG is looking for someone to do the Deputy publications coordinator. They are also looking for a Technology Coordinator and a Deputy Events Coordinator. If you are interested in these roles, you have till the 22nd April to apply.

In 2015, MaW SIG also brought out their first e-book, a collection of the blog posts on their website plus two bonus articles not on the blog. There is a new post out on the blog today, written by Kieran Donaghy, giving advice about setting up an ELT materials website.

In February this year, there was the annual face-to-face conference in London, at the Stables of Macmillan. This was organised largely by Kirsten. (Read more about it here!)

Looking ahead

Working in cooperation with BESIG, there will be a conference in Munich from 4-9 November 2016, which is a BESIG conference with a materials writing thread. Proposals don’t have to be only about business material writing, so anything that could be used by Business English writers would be great. So, for example, writing video scripts. Not specifically BE but still useful!

There is also the  website, which has the blog. On Social Media, Karen White does a fantastic job of keeping the Facebook Page, a closed Facebook group for members and LinkedIn as well as Twitter. There will be a suggestions page added to the website, as they are keen to hear from members about what they would like the SIG to be doing/not doing. So please do use this page.

This year they also did their first scholarship in collaboration with OUP, in materials writing. A challenging task was set: writing a piece of material that dealt with the theme of the environment in a fresh and interesting way. Moundir Al Amrani won the scholarship!

He tells us he is very excited happy to be here and to have won the scholarship. He had started to think he wasn’t cut out for this but the scholarship has given him fresh enthusiasm for materials writing. He is from Morocco, a teacher and materials writer. He has won the lesson share competition on Onestopenglish.com twice, back to back. After which, he won the scholarship.

He shows us where Morocco is, its flag and tells us a bit about what he does. EAP, ESP, BE and GE teaching, as well as content courses in the humanities and literature at University. He is also a novice teacher trainer and a materials writer. He writes worksheets, multi-skill lesson plans, vocabulary and grammar activities, course books, teacher notes and a book to meet the specific needs of his students.

Why does he do this? Because it is his passion. He wants to be productive and learn. There is a saying that goes if you love what you do, then you never have to work a day in your life. He loves what he does, his career. He wants to be a better teacher, write better teaching materials, give back to the teaching community and be part of ELT innovation and development. He finishes by thanking MaW SIG and OUP for the scholarship once again.

OUP representative Emma takes the opportunity to say that if you are interested in sending materials for the OUP blog, please do, she also looks after a newsletter about teaching adults that goes out to 28000 teachers globally and they are always looking for people to submit materials/articles/thoughts on any aspects of teaching adults.

Lewis Lansford tells us about the running of his pub in York. There’s always the point where you have to talk about the budget and it’s the low point of the meeting. Now he is going to be that guy, presenting the budget. This is his bid to sugarcoat the process, discharge the obligation and not make us feel “oh no”.

Budget comes from the Latin “Bulga” (pouch or knapsack). It entered English with the French meaning (bag), but by the end of the 16th century included contents as well as bag. 1733 was the first finance connection.

2014-2015 accounts. It took him a while to work out where the money was but in Sept 2014, there was £5,502 profit, earnt not spent. Events and subs produced £8,387, then expenses £5,592. Anyway, the surplus at the end of the year was £2,911. September opening reserve was £8,413, and the closing reserve is £8,731. (Not really sure what it all means!! But it’s there!) And thank you to Macmillan for sponsoring the conference in February as that helped the budget!

 

On that note it was time for the raffle, eating and talking!

 

IATEFL 2016 Here’s one I made earlier – designing effective classroom materials (Katherine Bilsborough and Sue Lyon-Jones)

Well, the room filled up super-quickly for this one!

Sue is a co-founder of esolcourses.com which is an online platform with thousands of resources for teachers and students; Kath is a materials writer who started because she couldn’t afford to buy lots of different books to use with her students.

As English language teachers it can happen that you have to start teaching on a new course and there aren’t any particular materials for it. Depending on teaching experience, it can be a good or a bad thing. You may be thrown in at the deep end! This workshop will look at good practice for creating materials to equip us to deal with such situations.

  1. considering and discussing what akes a good learning activity
  2. looking at free materials that can be sourced from the web and adapted for use in class (Sue is a copyright expert if you have any questions!)
  3. sharing ideas for creating simple activities that are pedagogically sound
  4. look at some ways in which authentic materials can be exploited (fair and legal ways…)

What do we look for in ELT materials?

The audience came up with:

  • relevant to the course aims/class aims
  • thought-provoking
  • adaptable but with a basic core
  • does what it says on the tin
  • work in the given context

Sue and Kath added:

  • engaging and motivating: got to be interesting!
  • provide sufficient challenge: not too easy, not too difficult
  • age appropriate: we don’t want worksheets with teddybears for adults
  • have a target audience: can be very narrow – your learners – if wider, need to think about if they will work outside your classroom
  • have a clear purpose: you might have interesting video/text but need to be clear about what students are going to learn from it
  • underpinned by good pedagogy
  • foster language learning: you can find an interesting article but need to think about what opportunities there will be for learners to use what’s in it

In what three ways you might use a short reading text?

Texts can be a lot of things and you can get a lot of value out of very little:

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The audience came up with the following as examples:

  • dictogloss
  • running dictation

Then we moved on to a task looking at some short texts and discussing how to exploit them. Ideas were very varied due to the diversity of contexts represented in the room!

Text One

Are computers harming academic performance? (a short essay about a study on whether people learn better if they take notes by hand or on computer; came from Voice of America – most content is in the public domain so can be used freely BUT there is some syndicated content e.g. Reuters articles that you can’t use – in this case it will be tagged as such so easy to avoid)

Text Two

A Roald Dahl extract from the Learning English portion of Voice of America, already graded. NB If you want to check the level of a text, paste it into Vocab Kitchen it will tell you what level the words are through colour coding.

Text Three

A Mountain to Climb from Internationalist Easier English Wiki – contains News Articles written for English learners, also includes lesson plans. Creative commons licensed, you need to accredit the author, you shouldn’t use it make money on it and you have to be willing to share it under the same license i.e. not make money on it.

Text Four

The Tale of Benjamin Bunny is from the Project Gutenberg site which contains lots of classic texts that are over 100 years old. You can take anything from there and use it. The language may be dated and above level but you can use Vocab kitchen to catch those and grade them.

Using Images

…to Introduce Topics

There  is a site called Pixabay with public domain images both clip art and photographs. You can use a tool called Picmonkey to make collages. You can do it or you can get learners to do it. You can also find images on ELTpics (where teachers can upload their photos and you can use pictures under creative commons license)

…as writing prompts

A postcard with image prompt and space for a message relating to the picture. Customisable.

…to practise grammar

A picture of a house in the snow: e.g. question forms. Kath started with 5 answers e.g. Bob and Charlie, Winter, Meeting friends etc. = present simple. The students had to produce the questions to go with the answers. With another group, 5 different answers e.g. last summer etc. = past simple.

Devising Listening Materials

  • ELLO – You have the audio, the transcript and in some cases some exercises or quizzes and an indication of what type of English is being used
  • Librivox – free domain audiobooks
  • LearnEnglish Teens – everything on it is very regulated and non-dodgy. Nothing will be upsetting!
  1. Find something your students might be interested in (not necessarily what you are interested in!)
  2. Look at the transcript and make sure it’s appropriate
  3. Listen all the way through
  4. Analyse the language in the transcript (functional language? repetition of grammatical structure? particular vocabulary? etc.)

Learner Generated Materials

When students write things, their work can become templates for future activities with their permission. You can use hot potatoes which is a free software for making such activities.

Finally, the audience suggested Eclipse Crossword, Unsplash and Real English. There was also a handout that I got a picture of, if not the real thing:

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IATEFL 2016 Materials Writing SIG PCE – Print VS. Digital; is it really a competition? (2)

Katherine Bilsborough kicked off after the break, and she is talking about Writing for Primary. 2 years ago, she spoke about ‘Becoming a digital writer‘. Since then, she has realised that we are not digital writers, we are materials writers who are writing for a digital age. This is something that came out of the recent MaW SIG conference. As Ceri said, it’s not black or white, it’s grey. Katherine, though, says it’s more like a chess board. Some is black, some is white, you move in different ways and sometimes you win and sometimes…!

If you are talking about primary, you are talking about 6 years of a child’s life. There is a big difference between year 1 and year 6. We need to be aware of their cognitive skills. E.g. they may  not be able to read yet. We need to think about their world view. They are very me me me oriented, so pair work doesn’t always work! If you make something in class, then everybody needs one to take home! With VYL, attention span is 5, 6, maybe 10 minutes max. It is also, or can be, a lot of fun.

5 key areas that Katherine identified for primary writing are:

Primary –

  • content
  • illustration
  • appropriateness
  • rubrics
  • key ingredients

She has picked out these 5 areas but some others may crop up as well.

Primary Content

When you start off writing a primary course book, need to take into account several things.

  • The syllabus (be involved in writing or received from a publisher; might be one level of a 5 level course for e.g.)
  • Young Learner Exams (publishers want to include materials that help to prepare learners for these e.g. Starters, Movers, Flyers)
  • Policy (local or national – e.g. in Spain the education law was in place for many years but has just been voted out so everything is in limbo)
  • Key competences (trying to develop the whole child e.g. citizenship, keeping clean and tidy etc as well)

Katherine finds the Cambridge YLE page useful to refer to as it has lots of wordlists for each level, of what words children of each age group/exam group are expected to know at that level. This is useful if you don’t have the syllabus etc. all worked out in advance. It’s also helpful to look at Key stages on BBC Bitesize site, to see the kind of things that children are learning and doing at different ages, to get an idea of what you can have them do with your materials.

21st Century skills – creativity, communication, collaboration, critical thinking. These are crucial. Our job, to think of a primary learner activity that encompasses these… Easy. Been doing it since the beginning. Just that now it has a label that needs to go in the book! Now of course there are digital elements that can be brought in to do things in a different way, but the point is it’s NOT new even if it’s the newest buzzword.

Illustration

Vitally important. The first thing that gets looked at. There are a few things to take into account. What should we consider when we decide between photos and artwork? model’s age/characteristics? supportive or decorative?

Publishers think for youngest learners, mostly illustration, as they get older, introduce more photographs. However, photos are coming in younger and younger. Nowadays in the ‘digital world’, younger children have more access to photographs so it makes sense? More and more kids watch stuff like discovery and educational style programmes marketed for kids (be it on youtube or TV) while cartoons/comics are seen as Saturday morning break material. Re model’s age and characteristics, Katherine usually told that they are presented as the same age but look a little bit older. If you are 9 you want to read about 10 year olds not 7 year olds! In terms of physical characteristics, it’s changing – more variety now, becoming more inclusive. Illustrations are usually supportive but can be decorative. In an artwork brief, it should be one picture including all the items of vocabulary rather than a set of different pictures one for each word. Katherine’s no. 1 digital aid for working is: Scanners. As, with primary, you draw everything as it should look on the page (sketches, sometimes quite detailed as very important), that scanned scrap of paper goes off to the publishers and then the illustrator turns it into what you see on the page. We rarely see them at conferences but they are very important! We are all invited to write our favourite tool on the flipchart at some point during the day.

Appropriateness

We all know about PARSNIPS but for primary there are things you might not have considered…

  • An escaped tiger with a happy ending – too traumatic
  • A chant about a witches brew – market including Turkey and Egypt, no witch craft
  • Kate and Joe talking about their homework – can’t have them because they might be sitting in a bedroom, so it had to be Kate and Cloe, much more difficult for listening!
  • Film review of Australian film Red Dog – there are dogs and somebody’s arms on the film picture, which is dirty
  • Anne of Green Gables – no, because boys won’t like it (!!!)
  • A story about a little boy who shrinks after drinking a potion – too druggy!!

If in doubt, leave it out! (Or at least run it by the editor!) It’s not worth it. Having an argument isn’t going to win you any points.

Rubrics

We saw three rubrics for the same activity.

  • Picture of an ear and a scribbling pencil
  • Listen and colour
  • Listen to the dialogue and colour the objects
  • Listen to the dialogue and colour the items that Leo and Fatima mention.

The simpler the better! Applies to all ages!!

Key Ingredients

  • Stories – genre? ongoing/one-off? language? word count? no. of frames? Katherine does this kind of work away from the computer, sits down with language and bits of paper. In the beginning there were print stories of various kinds, then along came audio, then dvds with videos (sometimes pictures moving one to the next), IWB (replicating print, animated visuals), devices (with interactive elements) and finally augmented reality. In Katherine’s last project, she wrote stories for a 12 level BBC English course for children and this included augmented reality for one out of three stories per year. You have to start layering, it’s almost like writing a script for a film. It’s very interactive and brilliant fun, but it takes a lot of writing. You have to write the story and work out how it’s going to appear and then present that to the publisher so that they/the team can understand it! Lots of role-play/gamey/decision-making elements involved. Katherine finds Puzzlemaker and Word Scramble for making puzzles to cut down on time.
  • cross curricular – used to be CLIL but then it wasn’t really CLIL so became cross-curricular. “These lessons give kids the opportunity to do something a bit different and they learn different skills – skills that aren’t normally taught in the English lesson. They’re a nice change for the teacher too.” – a quote from a teacher, Ma Carmen Losa. For the writer, means more research. Just because we are adults doesn’t mean we know everything! Katherine likes Fun Science and Technology website and NASA kids club website, as well as, again, BBC Bitesize. Lots of art gallerys around the world have kids sections. National Geographic also has one. Using websites designed for children means we have the right kind of language to use. Katherine still looking for an online children’s dictionary. It would be useful for obvious reasons!
  • culture – need to make it relateable to children e.g. what do people have for breakfast in different places like Jamaica? What hours do children go to school in New Zealand? Easy to find out on Facebook! Crowd-sourcing on Facebook is a very useful tool as you can get a load of answers/responses.  Time for Kids “Around the World” – a day in the life (hour by hour) of children around the world. Shortcut keys on a Mac are very handy for “I want something that looks like this:”
  • literacy – Vocab kitchen is useful: put in a text and you can see what the CEFR levels are and change the words in red (too hard) until they come out green (easy)! And use the synonym list in Word.
  • rhymes, chants songs – Vocaroo is really useful for recording and sending sound clips as emails.

Writing materials for the Play Station generation

Fiona Mauchline is a teacher, teacher trainer, materials writer and blog curator. She is focusing her talk on the people we are writing for in secondary materials writing rather than the materials themselves. 11-19. Born between 1996 and 2005: A significant period in the history of digital entertainment! Nintendos, Wii, Playstation with headphones and kids speaking. Fiona’s son speaks four languages a day, only 2 of which she taught him, picking it up this way. There is a huge generational gap between teacher/writer brains and their brains. This is something that needs to feed into the materials.

‘Umbrella topics’ from typical course books for lower secondary/lower levels. How many can you think of? Recycling, hobbies, clothes, music, food, films, sports, shopping, holidays, town/going out, school.

Beware the Twilight Zone – the shady area that teens don’t like going into. Also, it’s about what they want to talk about with whom! (Or not!) E.g. with parents, siblings, other family members, teachers, pals, closest friends, other classmates, ‘others’… Some topics may be better for writing than speaking as writing to the teacher rather than having to share with people in the room. Some they may not want to talk about with anybody. Anything where you might be judged. In the world of the migrant, ‘family’ and ‘home’ – might be judged. Holidays – not everyone can afford to have holidays. If you live in the Canary Islands, “talk about your holiday” doesn’t work as there is a huge gap between rich (off to New York) and poor (never left the island). So when aiming at teens, think about the sensitive areas.

Fiona got her older teens to make a list of topics they would like to see in course books. They made a long list. Can you identify the 7 no’s?

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3 groups of No:

  • History – e.g. Mandela
  • Music – Madonna, ABBA etc

Boring: old-fashioned, dusty, been done too many times. Not for 15 year olds.

  • Video games
  • Fashion

We do it, we don’t talk about it. Too personal. It is divisive and leads to judgement.

  • YouTubers who do crazy things
  • Travel to far away places, exotic destinations
  • Food we’ll never eat e.g. insects

Irrelevant, remote from their reality and always will be. Travelling to countries near your own, you might do one day. Far off super-exotic places, not so much.

The Stress Factor

Everybody feels different and wanted to be the same, all felt like outsiders in some way. 99% of teenagers think it. All feel inadequate. Learning a foreign language means saying stuff in another language in front of your classmates: not a comfortable/happy thing!

12% of teenagers (Young Minds and Mind) in the UK today between 11 and 15 with diagnosable mental health issues. A huge portion of that is stress-related or stress-triggered. Slightly higher in boys than girls. Keep the stress down!

Screens

The screen generation. Research done in Sweden and Florida.

Mental overload: scrolling, navigating, clicking, eye ‘flicker’, light quality > less ‘mind’ space for processing/comprehension than with text on paper. Not harder to learn, harder to know – tends to stay in shorter term memory rather than long term memory. Difference between remembering something and knowing it. However, kids have developed the capcity to ignore the buzzes, bells etc in life, i.e. dealing with distraction.

For certain things, screen will better, for other things, paper is still better. For example, reading longer texts is more efficient from the learning point of view on paper. The topography of a page – 8 corners (double spread), margins, visual clues that aid memory. Screens don’t really have that. The paper course book shows how far you have got as the year goes by. Big books and little books weigh the same on a kindle. Paper is good for weightier, more serious text work. With Digital, use short texts and exploit the scroll function/other features. E.g. the capacity for predictions – much more effective on screen with scrolling and keeping things hidden.

It doesn’t particularly matter what we think. The bottom line is the attitude and habits of the people who are going to use them. 52% prefer screens, 48% prefer books. Not everywhere allows for screens. Books smell better… (according to the teens Fiona questioned).

Fiona’s email: fhmauchline@gmail.com

 

Materials Writing SIG Conference Session 5 – Emerging new pedagogies…

Our final session for today (whew…! I am already exhausted!!) is presented by Kirsten Holt and Thom Kiddle, with the title Emerging new pedagogies: should we change the way we design classroom activities?

We started with a pictorial trip through classrooms of the ages and their evolution:

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From rigid and inflexible, through a bit of paper appearing, a bit more paper and flip desks, breaking out of the set format, then in came computers, and tools, but it is all still very teacher led. How much evolution?

We continued with an evolution of tools:

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Cassettes, OHP, electronic pencil sharpener, VHS…. explosion of All The Technology.

We have gone from projection on a screen by teacher, or all students sitting in a lab individually or on a computer at home. The boundaries are all now more blurred. Physical location is much more flexible. Students carry immensely powerful devices with them all the time.

In Japan, for example, you can hover your phone over a page and the characters start talking to you. Blur between print and technology. Augmented reality.

Tension between “no mobile phones in class” and what they could do. What is best practice? Do we know? Or are we swimming wildly in a plethora of potential without really knowing what best practice is nor how to implement it? What do we have to hold on to in terms of principles?

We have principles and pedagogy. John Drury in the early 20th century advocated that student centred learning should be the way forward. He encouraged students to become independent, critical thinkers.

Kirsten suggests it should be learning in a digital world, education in a digital world, teachers in a digital world. Rather than “digital learning” or “digital education” or “digital teachers”.

Online offers potential interaction in a digital space outside the classroom either entirely or in a blend with classroom learning. Boundaries between physical and digital are being removed. There has also been the rise of the flipped classroom. The presentation phase is pushed outside the classroom space, accessed by learners in video or text form as preparation for the in-class follow up. SOLEs have emphasised that the teacher has to add value in the classroom, for it be worth the student coming into class! What does the teacher have to do to add that value to the space?

Thom told us about a project he worked on with teachers working alongside tech guys who said, tell us what you want to do and we will make it happen! It didn’t last. 4 out of 15 things were able to be done. He wanted the teacher trainers to think about what they wanted to do, how it would work in the classroom, and not worry about the tech but what ideally they would like to do, and a few things that came out:

  • Infinite canvas community board: scrolling was a good thing! The screen allows as many comments as necessary. Looks like Padlet. It allows in an online space a snapshot of answers to a particular question. In a flipped space it gives a teacher a snapshot of student opinion on a particular question and know what topics to focus on.  Can also be used to feedback and share group work outcomes with other groups by summarising it on such a screen.
  • Threaded forums based on video content. An initial video is uploaded and then students can reply with microphone or their own video or with text. This was used in a blended programme for students to make short videos of possibilities and limitations of their own teaching contexts.
  • Watching a video that pauses when you comment with a question and it tags the video, and the video continues once you have finished. Your comment then pops up when someone else watches the video and they can respond. This could be used by the teacher to “annotate” a video with questions for the student viewer.

It’s a tool not THE tool. Using technology to embrace learners’ output as input in the classroom.

Kirsten then talked about a model for pedagogy. She compared the usual balance in course books with the experiential model, and wondered if materials give enough opportunity for experimentation:

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Kirsten also mentioned Flipped Classrooms and how out of class work isn’t homework but preparation for maximising learning time and extending what they have done in class:

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She compared it with Task-Based Learning but more extended. And then went on to talk a little bit about how Macmillan English Campus could be used in this kind of Flipped Classroom way, giving as many choices as possible to the students – where students do preparatory activities and then in class the teacher builds on that by facilitating use of the language.

We finished by discussing questions:

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What do YOU think? 🙂

Kirsten also recommended that we have a look at “Tech tools for teachers” on Onestopenglish for tech tools that are not only for fabulous wifi connections!

It was a good session that managed what I thought was impossible: it engaged me enough to make me forget how tired me and my fingers were…

It also brought the MaW SIG conference day to a close. The wrapping up took the form of an open forum discussion, followed by a raffle (I won a book! Happy days!) and then drinks. I scooted off before the drinks because I had to trek back to Sheffield – just as well I did, as it was it was well after 9 by the time I got home!

Thank you to MaW SIG and sponsors Macmillan Education for a great day: am glad I bit the bullet and made the effort to get to London for it!

 

Materials Writing SIG Conference Session 4 – Writing Skills for Effective 21st Century Materials

After the lunch break, we reconvened with Heather and Julie’s talk on Writing Skills for Effective 21st Century writing.

Julie started by giving us a bit of background into their research over the last few years, explaining that the work informing today’s session continues to build on what they have talked about at past conferences e.g. IATEFL last year.

Materials development should be at the interface of theory and practice but actually it isn’t: it takes a long time before theoretical recommendations can become pedagogically recognised. Findings from conversation analysis could help us to write more natural sounding dialogues, research into pragmatics could help us teach politeness, so there is lots of potential but…

“ELT is not a matter of bridging the gap between theory and practice, but closing it” (Widdowoson, ELTons June 2016).

“With Web 2.0 came technologies that afforded online interaction and user created materials and these altered the authorship paradigm, as well as blurring the line between materials and the tools that produce them. (Mishan and Timmis, 2015, p.79)  – We put lots of things online, we see possibility for communicative interaction between students, but what are we going to do with all of that?

The study

When doing this research, for ‘digital materials’ they took a very broad definition – any materials that use technology in some way. Their methodology involved use of focus groups and individual interviews and spoke to 8 writers and 11 editors/publishers.

Research questions:

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These were used as a springboard for discussion with their participants rather than something rigid to be stuck to. The discussions were very interesting and yielded lots of rich data. We discussed some of the statements drawn out of the data:

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The findings fit into 5 main categories:

  1. Technical differences
  2. Pedagogy
  3. Management of process
  4. Possibilities of digital (this category had more positive things)
  5. Commercial considerations (business issues, marketing issues)

Technical Differences

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First of all, a lot of people talked about working within parameters. Writing to a particular template/brief. There are a limited number of activity types within digital – these tend to be closed activities: drag and drop, gap-fill, matching, YES/NO…  This is also because they tend to be self-study materials so need to be accessible to a student not mediated by a teacher. People also talked about mobile/tablet use and repurposing materials. You might not have long texts but three shorter texts, for example, in order to avoid too much scrolling on the smaller screen.

Mobile items can be quite bare and limited:

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Secondly, often print material is being converted to digital materials, rather than people writing directly for digital. Materials can look the same in the course book as on the screen. However, activities designed for use in the classroom need to be changed to work in a digital format. The issue of feedback provision: What will you say when they provide the right answer? “Yay! You got it right!” vs. “Correct.” and what about when it’s wrong? Are you going to tell them why? If yes, it’s going to be very expensive because all the possible answers and reasons together with feedback would need to be input. So feedback needs to be cost effective. Having a variety of different acceptable answers is great but very expensive. To get around these issues, more sophisticated authoring tools are needed and therefore a lot of investment. The level of the product is low, very basic stuff BECAUSE of the limitation to the closed style questions, for the reasons of cost effectiveness already discussed.

Thirdly, you need to think in great detail about how the student or teacher will use it, what will be there on the screen? What will they need to do? What will be on the screen at the same time? You need to be able to visualise it (which requires experience of using it?). Scrolling issues add to the difficulty of reading comprehension and text length.

Lots of scrolling:

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Finally, you need to think about layout issues. E.g. on a tablet when you tap for the keyboard and it takes up half the screen, will important things be obscured? When you offer the choice of answers, will the answer choices hide the question?!

Layout can be tricky:

image2-1

Rubrics also need to be extra clear so that students can access them alone. Fonts need to be sans serif Sego to make it informal in ESOL materials. Colour is also important. Standardisation between publishers in template use would be nice!

Pedagogy

Again, we discussed selected statements from the data:

image3-1

Before hearing about the findings:

People were debating the usefulness of digital and what value it adds. Is it just about practice? Receptive skills? But how rich is the input to learners from these materials? Obviously it depends on the particular material but these were some general concerns. It could be useful for lower levels to be able to click on a video and hear instructions again, or hear a recording in shorter chunks as scaffolding. Are the the tasks types and questions too repetitive or do learners like that?

Lesson flow was another issue. Two pages of a coursebook can demonstrate some flow and some understanding of where you are going but if it is divided into 20 screens what happens to that? Feedback is an issue if something is marked wrong but is actually right because there is a stray full-stop, for example. Productive skills can also be problematic, because it is difficult to enable practice speaking or writing through digital materials. Students can record themselves but what do they do with that? What happens to the social aspect of the activity? People learning together and collaborating? Will the cost be increased? There are possibilities such as forums, chat rooms, blogs but the question surrounding all of these activities is that they are quite open activities – is that a problem? Would the learner see it as developmental or be disappointed as not getting a score after spending half an hour in front of their screen? The context of use and how that impacts on pedagogy is important here.

Cognitive load can, it was perceived, make certain listening tasks more difficult. E.g. listen and match/type/tap a box. All the tapping and typing as well focusing on the actual language. Therefore it is important to make the activity cognitively engaging but not the technical aspect of doing the activity!

Tablets and classroom management also came up. If you haven’t taught in a classroom where tablets are being used, then it is difficult to visualise the issues around it. Classroom management is affected – you need to control when the tablets are used and when focus is on teacher. If everyone has a tablet, activities could be differentiated quite easily, according to level or learning style. With listening, will you play it from the front or have students listening individually with headphones. That makes a big difference in how the activity is going to work. There are lots of possibilities to consider – how are they being used but also how COULD they be used?

Student engagement/user experience is important to consider as with some digital materials, there is no teacher to draw students in and engage them. Students might need more changes of focus than in the classroom, where interaction with other students and the teacher helps.

Adaptive learning was also something that came up in the discussions. It needs more thought for it to work properly. Adaptive learning also loses the “flow” mentioned earlier with course-book pages.

Is there too much material? It could be overwhelming but it could be a good thing, differing opinions – also depends on how it is exploited and the quality of the materials. Converting print to digital expands material as you have to build in extra scaffolding. It means that you end up with a huge body of material that can become quite unwieldy to produce and manage. You also have to consider the teacher training element – teachers are not trained to use all tools effectively because they don’t exist everywhere so it can’t be a standard element of ITT.

Finally, how are students actually learning from these products? What are they learning? Is it the most effective way to learn? This needs to considered, both for digital and for print. Why don’t we know? Access to classrooms is difficult for researchers, teachers don’t have time to look at it in detail themselves. End user experience is as important as the content itself. But it also requires longitudinal studies, which have their issues of expense and time and resources.

Some of the criticisms are equally applicable to print materials, if we consider print self-study materials as well. So it’s not just about print vs. digital.

Management of Process

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Time started getting short at this point so we launched directly into hearing about the data:

Delivery – keep it simple, stick to the brief and be aware of the functionality of the software from the outset, as well as the style guidelines. (E.g. 24/7 in print but 24-7 in html). The template developer role is important. In an ideal world, the author would receive a sample unit of examples of activity types so that you could know exactly what you were aiming for and how it would work. It would also help if discussion was possible so you could check if things would work.

The scale of projects is ever more massive. The number of people and volume of material involved is greater than print which was already huge. Yet, schedules are tighter for digital as the student book is produced first but the digital package needs to launch with it on completion (!)

People expect digital to be quicker to produce but it is not so as there is more content required (videos, adaptive learning, assessment criteria). And, of course, the “editorial eye” is just as necessary, even if writers are writing directly into a template. Mistakes can happen and you need someone with an overview to pick up on those, which makes a huge number of screens to check.

In terms of self-publishing, you need to be thinking along the lines of detail required by a publisher’s book proposal form.

Possibilities of Digital

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There are lots of opportunities:

  • Plan Ceibal in Uruguay: Every student has a laptop, and there is the classroom teacher but also a remote teacher. This kind of thing impacts the materials developer role as you need materials for the remote teacher, support for the local teacher, materials that will go on the screens…
  • British Council Nexus Project: Getting lower level learners online. Helping them developing digital literacy, self-confidence and motivation.
  • Gamification – making things into games. Games in the classroom, apps outside the classroom, on laptops… Badges? Levels? Can be motivating.
  • Augmented reality – second life type things, but also writing stories, producing scripts for animation on students’ screens in class (half the class see one thing, half the other).
  • More writing opportunities for freelancers but… the downside is that some of the work is not particularly interesting or challenging, can be quite mechanical and set fees are becoming more common than royalties. Working just for a fee may impact motivation – what is your incentive to go off promoting the product in your time?
  • It can be career enhancing to create online resources. Putting your own things online for people to use can get your name known and lead to other things…

Commercial considerations

<Missed that picture! Going full steam now!>

When publishers talk to customers and do market research, the customer can’t tell them what they want in terms of digital because they don’t really know what’s possible, which makes it difficult for them to articulate what they want and so for publishers to provide. Then there is the issue of predicting the market when technology is always changing, it is difficult to ‘future proof’ digital products. And what if a new game-changer comes out, so your new product suddenly looks dated as it launches? The issues of payment also arose in this category – should authors get royalties? Should the author role be promoted? The community of practice adds value to project, e.g. through the author promoting the product etc.

Conclusions

There is a lot of scope for materials (print and digital) to be more research informed. More research needs to be done into user experience of materials (funnily enough I was reading about this issue a few days ago in the intro to a mats dev book I borrowed from the ELTC library…edit: English Language Teaching Textbooks – Content, Consumption, Production edited by Nigel Harwood and published by Palgrave Macmillan)

A better quality of materials in digital would be good to see, going beyond the ‘workbook feel’, something more satisfying. Perhaps by incorporating different kinds of technology, making use of new possibilities.

Teachers need to be encouraged to research their own classrooms in this area. Training is also needed for how to integrate digital and print in the classroom. It’s really difficult for busy teachers to explore all the digital stuff and work out what would work well together in the classroom in terms of blending the digital and the non-digital.

Heather and Julie recommended How to write for digital media and How to write ESOL materials, both published by ELT Teacher2Writer and finished by showing us their reference list for this talk:

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Another very interesting session with lots of discussion to get our teeth into! During this session I was sitting next to Antonia Clare, so it was really interesting, in the discussion elements, to hear about things from a long-time published author’s perspective.

Materials Writing SIG Session 3 – Looking after number one

Bev Alderson led the third session of the day. She tells us we will learn about the impact of too much sitting and take away tools/techniques to help counter this. Bev used to work in IT Management – 18 years – and learnt firsthand what it’s like to have a high-pressure desk-bound job. She pushed herself to the point of being very unwell and so life made her stop and learn how to work properly and look at wellness in a different way. She starts with the question “What do I want to achieve? What wellness techniques can I implement to help with that?”

Sitting burns 1 calorie where standing burns 3, sitting compresses digestion and breathing, so nutrients don’t travel so well. The average person spends 9.3hrs a day sitting – watching telly, drive, eat, work etc. This has an impact. Mind and body are in the same vessel, mind gets less oxygenated blood when sitting. It takes 90 seconds of standing for muscular and cellular systems to kick back in. They work purely by taking our bodyweight.

So, one thing we can do is interrupt our sitting. Stand up and move. Scientists reckon sitting for 6hrs a day = smoking a pack of cigarettes a day. However, there are three key things we can do to help:

  1. Ergonomics
  2. Preventing/alleviating symptoms of sitting
  3. Wellness plan

Ergonomics

The human body was designed to move not sit. We need to think about that and how our desk and chair work. Our spine was meant to be straight: Sit closer to your desk and you will sit up straighter. This will also line up shoulders and elbows. If people hunch over their desks for too long, the spine will curve permanently. The head weighs 5kgs. Hence the aches in the shoulders and upper back from incorrect carriage. Ideally have a chair that provides lumbar support to support the spine. A rolled up towel or cushion is an option. Don’t hold the mouse when you are not using it. It pulls your shoulder forward. Don’t cross your legs for too long as the alignment of your hips will go out and the spine will adjust to that and then will continue to do so.

*Being busy slows down pain receptors…

Your arm rests should be adjustable so that they support your arms. A wrist support is also useful. And for your eyes, every now and again look off into the distance then come back, to give your eyes a rest.

Preventing and alleviating symptoms

But even with a perfect sitting position, you still need to MOVE!! So interrupting your sitting is good. Bev showed us a series of exercises which it was very pleasant to do on a day that involved such a lot of sitting still! Below:

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These help to alleviate the structural changes that sitting unfortunately pushes.

Wellness Plan

You decide what to do to recover. What are the few doses of wellness you can do on a regular basis to support body and mind so that it works optimally for us?

What will you do every day?

  • You need to look for ways to move more.
  • Need to be active in moving body position throughout the day.
  • Food is fuel or fun? 80% fuel, 20% fun.
  • 10 minute walks
  • Use a water glass. Keep going to refill it (especially when your room is up two flights of steps…). Keep going to empty your bladder!
  • Do you need to be sat down for all your activities? Can you stand instead? Standing all day is also no good but breaking it up is good.
  • Do something fun every day! A dose of daily wellness! (Hobbies, socialising…)
  • Rest: take breaks.
  • Use breathing exercises to reset nervous system

Materials Writing SIG Conference Session 1 – Working smarter not harder…

Today, 20th February 2016, is MaW SIG Conference day: New Ways of Working for New Ways of Learning. I have nipped down for the day and the venue is thankfully near to Kings Cross-St Pancras, meaning my train got in from Sheffield at 09.30 and I was in very good time to register before it was due to close at 09.55, having picked up a pot of vegan porridge at Pret for breakfast! (I won’t tell you what time I woke up this morning…)

Rachael Roberts kicked off the day with some introductory remarks. She feels the following quote sums up the push to digital: ‘provides a good sense of what the gold-rush must have felt like – people moving into frontier towns with little idea of what they were getting themselves into’. She went on to say that perhaps now the dust has settled, we can start to look at what is going on and the various impacts digital has had. The sessions today will do that from a variety of  perspectives.

Very quickly it was time for…

Working smarter, not harder: the nine characteristics of the Productivity Ninja (!)

The first session of the MaW SIG one day conference has an exciting title. Time to learn how to be a ninja!

@thinkproductive

#ProductivityNinja

Graham Alcott started his company, Think Productive in 2009. Says he is not a naturally organised kind of person. The inspiration for this business was going from having a very nice team of people around him to suddenly being freelance and being his own boss. You have to be your own boss and responsible for your own productivity and this forced him to ‘get good at it’! His background is in the charity sector but people were interested in the productivity stuff, which is how it all happened. Turns out quite a few people have been on time management courses, not something I could put my hand up for!

Apparently, a lot of time management books tell you to aim for perfection and everything will be fine. Graham says no one does it perfectly, not even the book writers, but we all have something to teach and something to learn with it. He thinks the idea of time management is dead, but attention management is its successor, and it is much more controllable. He has a book called Productivity Ninja.

The rest of the session was spent looking at the characteristics referred to in the session title.

1. “Zen-like calm”:

If you have a deadline, you know you have to focus on something and finish it by a particular time. You are present and in the moment, not thinking about dinner and social plans. Deadlines give you permission to focus. But what about having that sense of focus without having the stress of the deadline? Well, probably most of us don’t feel that way…

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Yet, the mind is for having ideas not holding them. So getting stuff out of your head is key. Hence why writing lists makes you feel better when you have a lot of things to do e.g. pre-going away! Information is raw material. We have moved from the industrial age to the information age. Putting cherries on buns is very predictable, and you know what success looks like. But when we are putting cherries on our own buns, we have to define how big the cake should be, how fast the conveyor belt should go, whether cakes are the way forward or cocktails would be better…

You are simultaneously boss and worker. Neglecting the boss or the worker too much isn’t good for productivity.

2. Ruthlessness

Sounds a bit scary but don’t worry. We are talking to-do lists: are you jumping on it or is it 4pm and you are winding down and you are not feeling capable of engaging with it? We probably have 2-3hrs a day of being able to give full attention to something. So we need to be ruthless with how we deal with those 2-3 hours. That time when you are really switched on. If you manage that time/your attention really well, then the rest of the time doesn’t matter so much. That 2-3 hrs done well means you don’t have to be ruthless about giving away an hour later on for a meeting etc. Not every hour is the same in terms of your resources of attention. Know your hours! Graham was ruthless with Facebook. Gave his password to his wife and got her to change it. This was in order to avoid procrastination. Be ruthless with yourself, know your foibles and temptations. Make it impossible to be distracted when it is your 2-3 productive hours.

3. Weapon-Savvy

Use the tools that are most useful to you, don’t be sucked in by coolness. Your thinking is more important. Psychology before technology. But, the Ninja needs a second brain. To download all the projects and actions we need to remember, that are “off the page” in terms of what we are doing/should be doing in the moment. There are many ways to do this!

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All these apps are cross-platform and you can download app versions on to your tablets etc.

But the task function in Microsoft Outlook works perfectly well too. Graham likes it. As does…pen and paper! Whatever you are comfortable with. It should be useful, not a distraction… A second brain that frees up your own brain to be creative and ‘add value to information’.

Email can be disproportionately stressful for what’s actually in there. You CAN get it to zero and then it’s easy to keep it there rather than let it build up again. It should give you a sense of completion and clarity, I hear. (I won’t tell Graham I have 24, 638 emails across my inboxes…) Apparently a much smaller number are actually “on the plate” or “critical”! (I guess that’s why I ignore the other 24, 630!)

4. Stealth and camouflage

Tactical hiding. The digital age is starting to become more culturally difficult/unacceptable to be unavailable. “Going dark” is the two days before a new piece of software is launched: developers make themselves deliberately unavailable in that period before the deadline. We need to create that. “Write book” on a to-do list won’t happen. You break it down. But it still needs a different level of focus from everything else. How do you get the space to write the book? Graham went to Sri Lanka…! A month of ‘stealth camouflage’. The idea of disconnection and focusing on stuff without the ‘white noise’ of distraction. (No notifications! No social media! No emails! No other people!) You don’t need to book tickets to Sri Lanka to do that. But you need to find your own Sri Lanka. A sense of complete disconnection even just for an hour (I guess ideally for your 2-3 productive hours of the day?!). Can be as simple as “A meeting for one” in the diary – protected time. Often seen as being a luxury, but it is important. Investing an hour off the grid will probably save you a few hours further down the line.

5. Unorthodoxy

Very easy, whether in the publishing world or in your car, to look at the competitors and try to copy them. Instead, try to take inspiration from unusual places. E.g. person who goes to the same set of cafes on a rotating basis, cuts down on making the decision of where to eat: recognising decision fatigue as a barrier to productivity. When you have a story to tell or a point to get across, try to view it through different lens e.g. 5 year old child, my mum etc.

Experiments – Graham did a bunch of productivity experiments. E.g. a month of email Fridays – only checking email on Fridays for a month. A month where any procrastination on decision-making was solved by a throw of the dice. Someone said you get a third of your decisions right, a third wrong and a third don’t matter. The dice-throwing gave momentum to the process. What all of the experiments came down to was playing around with the assumptions of how we work and day-to-day routine. Looking at what you do and flipping that. If you always have email etc. turned on, try having it off. If you walk to work a particular way, go a different way. If you look at email in the morning, do it in the evening. We are creatures of habit but messing with it can be a good thing! Doesn’t have to be as extreme as Graham’s experiments, even little things can have a big impact!

6. Agility

The two-minute rule: if anything can be done in less than two minutes, then when it comes in, do it straight away. You will spend more time putting it on lists etc. otherwise! And it also makes your to-do list more streamlined, so you can see the wood from the trees, if you don’t add every single little thing that you could have just done instead. The same applies to email: it’s very easy to delay responding if it is something a bit annoying but just do it quickly and then it’s done. Then if you have something big going on, when you come back to your to-do list afterwards, it’s easier to cope with, less unwieldy.

Context is king: Have different lists. A phone-calls list; a thinking list etc. Set up lists based on context – where you need to be, who needs to be there. So when you get interrupted, you can use the opportunity to tick things off the list that require that person. To-do lists app usually has “context” or “categories”. Use it! Or, different colours, different sections… (This I can do: I have used different colours on my sticky notes since our session at the ELTC on time savers! 🙂 )

7. Mindfulness

Came out of the time spent with the Buddhist monk in Sri Lanka. Graham asked a monk about mindfulness and how to do it, wanting some kind of app recommendation. The monk said “you just sit”. In 2011, Graham including mindfulness in his book was a risk. Nowadays it’s a buzz word. Graham asks, how often do we experience a sense of presence, of where we are, when we are sitting at work?

Lizard brain – the fight or flight part – is an important friend of ours but also a mortal enemy when it comes to productivity. You can have an amazing to-do list, be really organised and still be really scared of pitching your idea. Writing a book is 20% writing and 80% lizard brain management. Lizard brain wants to avoid risk and blend in, not let you put yourself in a place where you won’t survive. Lizard brain is also very critical, “no, that’s rubbish, don’t do that…”. Acknowledging that that is Lizard brain, not rational brain, is important. As, then you can access logical brain whispering away too…  It won’t go away but you can focus on your morning routines and be mindful about it. By starting your day on the email/FB etc, you are starting your day with everyone else’s priorities, not your own. Make space to think about YOUR day…

8. Preparedness

If you are not a naturally organised person, doing all the folders and colour-coding etc seems pointless. But, to be proactive (that New Year’s Resolution!) you need preparedness and mindfulness. “Preparedness is a service to me in the future” 🙂

You need a way of actively managing what you plan to do.

9. Human, not superhero

Recognise that some of this is difficult and you are human. But if you manage your productivity well, you can LOOK like a superhero. Although you are still a human being, no magical powers. There is no secret source or shortcut, you need to do simple things consistently and well. You’ll still screw up but that’s ok. Human beings and ninjas recognise that wrapped up in the culture that we have of need to succeed and be super-heros is failure and guilt about failure. Let it go.

Periodically, have a done list! Have a point to celebrate success. Lists are usually about the past (not done yet…) or the future (needs to be done by Friday, eek!). Looking at what is done is a way to be in the present moment.

The secret to success (according to somebody who’s name I lost!) is “Send thank you cards and book theatre tickets” – As a human being, recognising human connections is important. Say thank you. Book theatre tickets – gives you a constraint. If at 3 you know you are going to the theatre at 7.30, you have a constrained window to complete everything. Life deadlines help you manage the transition between work and life rather than letting work take over.

Graham finished by inviting us to choose one thing to change and do something physical with it (put it on a list…) so that you actually try and do it! I think for me it will be the “disconnect” one (‘Go dark’), to avoid the self-distraction undertaken to avoid having to think! (To quote one of the audience members who also wants to try the “disconnect” one.) I am self-distraction queen sometimes so this should be good. My proactive attention time is definitely first thing in the morning. I was good at using that when I was doing my M.A. – maybe it’s time to get it back! I also want to get back in the habit of starting the day with yoga rather than computer! (I did this morning 🙂 )

The most important gift you can give someone is not your time but your attention – thank you for yours: a lovely ending to the session. 🙂

Little question for my readers: Of all of these tips, which do you think you would want to implement or experiment with in YOUR life?