ELT Blog Carnival – Listening: “Metacognitive awareness and second language listeners” by Christine Goh

The ELT Blog Carnival on the theme of listening has inspired me to “interact with” the following article: Metacognitive awareness and second language listeners written by Christine Goh and published in ELTJ vol. 51/4 October 1997 by Oxford University Press.

In this article, Goh reports on a diary study that she carried out in China, with a group of learners whose average age was 19. Learners sent her one diary entry a week, in which they reflected on specific occasions on which they had listened to English, problems they had experienced and how they had helped themselves to listen better, as well as thoughts on learning to listen in general and ways of practising listening. They did this for ten weeks.

The methodology she used is one that any language teacher could follow: she takes three categories of awareness – drawn from Flavell (1979): Person knowledge, Task knowledge and Strategic knowledge. She then broke these down into several sub-headings, each of which contained multiple entries. So, for example, Task knowledge was broken down into “Factors that affect listening comprehension”, “Input useful for developing listening (and reasons given)” and “Nature of second language listening”, each containing a list of factors. Goh then classified the students’ observations, as taken from the diary entries of forty diaries, using the categories she had developed. She didn’t have a colleague to cross-check her classifications, but repeated the exercise again 4 months after completing it the first time round, then comparing the initial classifications with what she had done after her 4 month break. Where there was a discrepancy, she looked at it again and chose what she thought was the most suitable category, with some categorisations being cast aside in the process.

What Goh discovered is that learners reported at length on elements of all of her categories, demonstrating varying degrees of metacognitive knowledge. She exemplifies her findings by showing extracts from various learners’ diaries, cross-referencing the extracts to her sub-categories. The diaries showed that learners were aware of their cognitive processes and were able to verbalise them. Goh believes that keeping a listening diary provided the stimulus for this to happen and recommends that listening journals become a teaching tool rather than just a research tool. In terms of implications for teaching, she explains that discussion in listening classes tends to be limited to the content of the listening text being used – be it brainstorming in advance, or discussing the content further after the listening exercises and that the focus is on helping learners understand that particular text – but that it can really benefit learners for discussion of factors relating to person, task and strategy knowledge, what she calls process-based discussion, to be included too. Goh provides ideas for how development of task and strategy knowledge can easily be incorporated into a listening lesson – for example, learners can discuss the appropriateness of particular strategies for the task in question, share what strategies they used, perhaps try out different strategies either later in the sequences of activities, or in a similar task in the future, and evaluate the effectiveness of the different strategies they try. She suggests that in doing this, learners gain a better understanding over what contributes to their listening successes and failures.

This kind of process-based discussion can also be based on listening diaries – learners can share their reflections, prompted by similar titles or questions to those responded to in their journals e.g. “How I practice listening outside of class”, giving learners the opportunity to learn from one another. Some learners have more metacognitive awareness of their learning processes than others and it is worth drawing on this valuable resource so that all learners can benefit from it, potentially increasing their speed of progress. Learning how to listen more effectively, developing person, task and strategic knowledge, also helps learners become more autonomous, by giving them greater control over development of their language.

My thoughts:

I have used listening diaries in class on a couple of occasions, having discovered this article and another by Jenny Kemp (The Listening Log: motivating autonomous learning, also from the ELTJ – vol. 64/4 October 2010), while doing my Delta, but I’ve not yet had the chance to use them for an extended period of time (e.g. the ten weeks that Goh carried out her project for). Nevertheless, the results of using them even for the short periods of time that I have done, have been positive: In my (albeit thus far limited) experience, learners welcome the opportunity to discuss such things as are recommended in Goh’s article. I’ve also read Goh’s (and, of course, Vandergrift’s) book,  Teaching and learning Second Language Listening: Metacognition in Action and am very much a fan of her/their metacognitive theory. Additionally, I think that, as well as giving learners the opportunity to learn from one another, this approach gives the teacher a chance to learn from the learners – you can gain an insight into what your learners are doing to help themselves listen better and what they are struggling with. Furthermore, if learners have developed successful strategies for themselves, that perhaps hadn’t occurred to you previously, you can remember these and share them with future learners. (Or use them yourself if you begin learning another language!)

Finally, kept over a decent length of time, I think these listening journals could also be used as a way for learners to measure their own progress – by turning them into an awareness-raising tool: If learners are becoming frustrated and don’t think they are progressing, encouraging them to compare recent entries with older entries (with suitable prompt questions to help them) could be a way of helping them see that they are progressing after all – both in terms of the content, i.e. in terms of their awareness, and the development of the effectiveness of their person/task/strategy knowledge over time, and their writing, i.e. over time they are likely (we hope!) to become better able to express themselves at greater length and with greater complexity/accuracy.  Of course, a journal is not limited to pen/paper/notebook – there could also be a role for blogs/other electronic tools, with the possibility of generating learner interaction outside of the classroom. But that is another blog post!

All in all, I found Goh’s article greatly interesting and I particularly liked how straightforward – although obviously very time-consuming! – the methodology is. That said, as she has already created all the categories, that helps us all a bit! We could all try it out and would stand to learn a lot in the process. I would definitely recommend reading the article and hope to try out Goh’s methodology myself in due course, by having learners keep a listening diary over a sustained period of time and then analysing their entries using the categories she laid out. How about you? 🙂

“Review of the Week” (a classroom activity)

At my current place of work, we make a weekly scheme of work on a Monday afternoon and it runs through until the following Monday morning, when new students arrive. Friday first lesson is quite often billed “review of the week”, especially when Friday second lesson is “progress test” (which is generally once a fortnight).

This activity, oh-so-imaginatively dubbed “Review Quiz”, is nothing earth-shattering in essence, but I’ve added a twist which I’ve found to be rather effective:

1. Introduction: Tell learners they are going to have a pub quiz. (They usually come into class quite tired on a Friday morning but tend to perk up when you put this to them!) Then explain that they are going to come up with the questions for it.

2. Preparation: Put learners in teams of (ideally) 3. Tell them that they need to review what they have learnt over the past week and come up with, say, 5 questions to ask the other teams. (Number of questions depends on number of teams, level of learners and time available – make a judgement call!)

3. The twist: They have to give each question a point value of between 10 and 50 points, in multiples of ten. So, easy questions would be worth ten, hard questions might be worth 50.

  • If one of the other teams answers the question correctly, they get those points but if none of the other teams answer correctly, then the team whose question it is gets the points.
  • Of course the greatest number of points at the end of the quiz wins.
  • What happens is learners put a lot of effort into composing suitable quiz questions, as they want to foil the other teams so that they win those points themselves. In the process, in my experience, they scour the week’s work, discuss it at length and produce good questions. (It is a good idea to go round and check each group’s questions, to make sure they are formed correctly prior to starting the quiz, esp. with lower levels)

4. Run the quiz: Each team takes it in turns to pose a question (first stating the number of points that it is worth) and the first hand up gets to try and answer first. Teams may confer but must do so before raising hands. (This requires some self-control!) If the first hand up answers incorrectly, the opportunity to answer passes to the next team and so on until either the correct answer is given or the team who asked the question wins the points they allocated to it. This continues until time or questions are exhausted.

5. Optional extra: You can throw in a few extra questions (for example if you feel that none of the questions that learners have made up cover particular points that you think should be reviewed) – these are ‘joker’ questions. You can make them worth any number of points (tip: it can be motivating for the team in last place if you make the point allocation sufficient for them to come from behind and take the lead! This also motivates the leaders to try doubly hard to maintain their lead…)

I’ve used this activity with pre-intermediate, intermediate and upper intermediate groups equally successfully – as learners are generally motivated to win, the content tends to be at the upper limits of their capabilities, whatever those may be.

#Eltchat 29.05.13 Summary: How to use a great resource like eltpics for your teaching

For anyone who is not yet aware of it: #Eltchat is a Twitter hashtag which offers Twitter-based discussions that take place every Wednesday at 12.00 and 21.00 BST/GMT (when the clocks change). The topics, all related to the ELT industry, are listed on the  #Eltchat website, together with some background reading, a few days in advance of the discussions. The tag #eltchat can also be seen throughout the week as an identifier of all things that might interest those who work in the EFL industry.

On 29.05.2013, the 12.00 BST discussion was on the topic “How to use a great resource like Eltpics for your teaching”. Here is a long-overdue summary of all the fantastic ideas that were generated during this #Eltchat:

First of all, what is Eltpics? 

  • Eltpics began in 2010 as an image resource bank created by and for teachers in the ELT sphere  (tweeting an intro from FB page) (@Marisa_C)
  • Great idea by them, and helps to avoid copyright issues etc. Also, nice and easy to access. (@jo_sayers)
  • RT @Marisa_C: huge congratulations for making the shortlist at the #Eltons awards in 2013 #eltchat > yay, seconded!! (@cerirhiannon)
  • Here is the link to the #eltpics on facebook  (@Marisa_C)
  • Here also you can find the #eltpics photostream on Flickr (@Marisa_C)
  • So, it looks like a great collection of free images for teachers by teachers (@Marisa_C)
  • best to follow the #ELTpics FB page. Every 2 weeks new set announced (@JulieRaikou)
  • And here’s an article in Spanish to introduce #eltpics to non ELT Spanish teachers (@pacogascon)
  • And great to not have to worry about copyright (@jo_sayers)

Ok, great, sounds good, but how do I use these #Eltpics images correctly and legally?

  • What’s the proper way to attribute #eltpics if using them on the web? #eltchat – in class I would assume there is no issue right? (@Marisa_C)
  • [This is] for [correct] image attribution  (@JulieRaikou)
  • If using pics on the web, author name, license details (for example, CC BY-NC 2.0) and link back is good practise (@esolcourses)
  • Using them in class is not an issue, although if you are printing out/sharing then you should include author credits (@esolcourses)
  • And if you embed in blog, the photo itself will link back to the flickr page (@jo_sayers)

What about some practical ideas for what I can do with these images in the classroom?

  • The “take a photo and…” #eltpics blog is a great place to start  (@cerirhiannon)
  • I like using the sets with  mosaic maker    –  set the no. of squares  for mosaic , paste in the URL & voila! (@cerirhiannon)
  • Another thing I like to do is ask students to spot pics that have been/could have been taken in their part of the world (@cerirhiannon)
  • Making collages can be useful. was introduced to @PicMonkeyApp the other day too, via @ij64 (@teacherphili)
  • Great for personalising vocab sets (@cerirhiannon)
  • Picmonkey is one of my favourite sites for editing images, with great tools for adding text and effects (@esolcourses)
  • Picture Karaoke is a fave – slideshow images with or without words/phrases to use obligatorily (@Marisa_C)
  • –> Slideshow of images – with timer – and you can add a word or phrase at bottom or not. Ss keep talking storytelling (@Marisa_C)
  • Students can choose photo and write crazy captions a la Spike Milligan – see old post here  (@Marisa_C)
  • For anyone who’s interested there are a few ideas and a web tutorial on PicMonkey here  (@ij64)
  • Did a 10min talk on mobile photos recently, ideas would work just as well with #eltpics (@Shaunwilden)
  • Do check out the blog (address here) lots of guest posts on how to use #eltpics in different ways (@Marisa_C)
  • Here’s a link to a write up of @fionamau ‘s presentation on using #eltpics at TESOL Spain this year (@cerirhiannon)
  • Ask ss to find the pic that best represents them (either from topic or all) (@jo_sayers)
  • Good use for critical thinking skills is getting students to find/make connections between pics (@jo_sayers)
  • Students makes a connection (the less obvious the better), and others decide if they agree/it’s true and discuss. (@jo_sayers)
  • Like @fionamau ‘s idea – choose faces from feelings set to set up role cards and talk about different opinions on the same topic (@cerirhiannon)
  • Learners take pictures of places that are important for them and then describe them here or upload ELTPics (@Whippler)
  • Here is one of the reasons I love #ELTpics
  • Start the class with 4 pictures based on the same topic/subject and ask students to work out what the connection is between them (@nroberts88)
  • Describing pictures in only 6 words (@nroberts88)
  • Loved this close-ups post by @cerirhiannon on #eltpics back in the days (@Marisa_C)
  • Describing pictures in only 6 words #eltpics; nice one.. then make a poem 🙂 (@Marisa_C)
  • ask students to look for images to replace the ones in a CB  from one of the #eltpics sets & explain their choice (@cerirhiannon)
  • Term-long proj: redesign CB! (@BobK99)
  • Here’s a link to the post (replacing images in CBs) (@cerirhiannon)
  • You could get students to take a pic to add to #eltpics themselves! (@jo_sayers)
  • How about getting students to choose an eltpic and then try to recreate it for homework, then show result next lesson and tell about how they did it (@LizziePinard)
  • Then play spot the difference between students’ pictures and originals (@LizziePinard)
  • A follow-up to idea of a pic for HW: Ss pick one write detailed description – exchange with sb else who must draw pic (@Marisa_C)
  • More ideas for using images: here (@LizziePinard)
  • Give students a few key words/ask them to think of words related to topic, then give random pic and challenge to make relevant sentence (@pjgallantary)
  • If you make mosaics mixing students ‘like/hate/love’ or ‘wish I had,could,were/wish I hadn’t/wish people wouldn’t pics, partners speculate (@fionamau)
  • Give ss a pic each – they describe and partner draws pic OR they arrange items in room/other students into a tableau (@pjgallantary)
  • You can use images from the Sequences set for “blind” ‘spot the difference’ pairwork i.e. don’t show partner, describe & find differences (@fionamau)
  • Choose four/five pics – ‘which one is the odd one out and why?’ (@pjgallantary)

And if I want more images than #eltpics has to offer?

  • You can use this page to just search Flickr for creative commons images (@esolcourses)
  • Or this has all kinds of search options (@jo_sayers)


I know – hard to believe so many ideas could be generated in a single hour! But so it was. I hope you enjoy experimenting with them – why not comment below and let us how it went? And if you have any ideas for using images, please also share them with us by commenting below. 🙂

Icebreaker Idea

Sandy Millin’s recent (ish!) post, “A map of me”offers a simple yet effective means of breaking the ice in a novel way – important when breaking the ice is a regular requirement, as is the case in language schools with a continuous enrolment system. I am also currently working in a school that uses such a system, and Sandy’s post has inspired me to get creative and expand my repertoire of such activities. So, here is one that I have come up with:

  1. Give each student a piece of paper and ask them to write down a list of information about themselves on it. Specify the number of statements and stipulate that some of the information should relate to things they’ve done in the past, some should be true of now and some should relate to future plans. (The number of statements and the number of stipulations will be level-dependent). NB Students must NOT write their names on their papers.
  2. Take in their sheets of paper and redistribute these so that each student has a piece of paper belonging to another student, identity unknown.
  3. Students should now mingle and ask questions in order to find out who their sheet of paper belongs to. The catch is, they cannot ask yes/no questions. E.g. If a student has written “I have two dogs and a cat”, the questioner cannot ask “Do you have two dogs and a cat?” – they should ask something like. “Have you got any pets?” and proceed from there.
  4. Students continue mingling and questioning until everybody has discovered whose piece of paper they are they are holding. Challenge early finishers to find out as much as possible about everybody in the room by the time the rest of the students finish.

Stipulating a range of time frames for the information encourages learners to use different tenses, so you can get a feel for which they are less comfortable with and for varying levels within the class. Meanwhile, the students get to know one other a bit better, and you can also get to know them a bit better through monitoring and/or through making copies of their information sheets.

This activity is as yet unnamed – if you have any suggestions, answers on a postcard! (Aka in the comment box below :-p)

And if you use it, or come up with any variations on it, let me know how it goes, or what your variations are so I can try them out too! 🙂

30 things to enhance your teaching?

In honour of my recent 30th birthday (18th June this year!), I thought I’d attempt to identify 30 things that I’ve incorporated into my professional practice in the past year. 30 is quite a large number, but having spent the last year at Leeds Met, learning vast amounts through tackling my Delta and my M.A. in ELT, I thought I should be able to pinpoint any number of things and that doing so would reinforce them in my mind as well as create a record for me to look back on. This is not an exhaustive list by any means, this is just the 30 things that I’ve been most taken by – including ideas, approaches, tools and techniques. Where possible, I’ve included simple, practical ideas for incorporation of what’s on the list, to make experimentation easier for anyone who should wish to do so. (And the question mark in the post title is deliberate! 🙂 )

I thought it would also be fun for people (i.e. you!) to comment and: 

a) say how many of these already figure in your own professional practice

b) say which of these you particularly like/dislike and why

c) recommend one vital thing for me (and others?) to incorporate that you think is awesome and feel is missing from this list!

So, here goes (in no particular order):

1. Reflective Practice.  This is when, instead of teaching a lesson, then forgetting about it and moving on to teach another lesson, you reflect on the lesson: You think about what went well, what went less well, and why; you think about what you could do differently next time and the effect this might have. You look for the holes in your lesson plan, but you also make a note of any particularly fine moments that you hadn’t anticipated and think about how they came about. You do this systematically, and over time you identify recurring patterns, both good and bad, and make action plans to minimise the latter.

Practical idea for trying this out: You could do what I plan to do this summer, an idea that I had as a result of participating in the #Eltchat discussion on “Learning from your Failures” – at the end of each lesson that you teach, make a note of what you think the 3 best things and 3 worst things about it were. Once a week or fortnight, depending on what suits you the best, get out your notes and reflect on them. Look for patterns, identify weaknesses to address, anything that could be done more effectively, and decide how you are going to address them. This might be a case of making tiny adjustments, doesn’t have to mean massive changes. In subsequent reflections, try to identify if these changes have made any noticeable impact on the best and worst things that you note down.

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2. Audacity. This amazing tool can be used to make listening recordings to use in class. You can record your own voice or you can import sound files – perhaps recordings you’ve made on a dictaphone or similar, or a podcast. You can adjust the speed of the recording if you feel it’s too fast, or insert pauses in it. You can choose from a selection of sound effects to add in. For detailed instructions that tell you how to do all these things, visit http://www.teachertrainingvideos.com/audacity1/index.html 

Practical idea for trying Audacity out: Use Audacity to make a recording that consists entirely of sound effects and use this in class by getting your learners to create a story that incorporates all of these sound effects. You could build this into a lesson on developing speaking sub-skills. (For more on skills development, see no. 28 below.)

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3. Concordances and concordancing: Building and analysing a concordance places learners in the role of researcher.  It is often associated with use of corpora, or collections of spoken or written texts, and computers. The ability to notice patterns in language, that analysing a concordance requires, is useful for a language learner to possess, particularly a higher level learner with access to a lot of target language input outside the classroom,  but does not come automatically by dint of studying a language.

Practical ideas for use in the classroom: You can help learners to develop this skill by providing scaffolding to guide them through the process. Early on, it is useful to guide learners to make very small concordances, using written texts or transcripts of spoken texts, and prompt them to notice features of it. As time passes, learners can be encouraged to make larger concordances from multiple texts and scaffolding can be gradually removed. Later on, learners could be introduced to larger corpora, such as the British National Corpus, and guided to make use of this – first with scaffolding, then increasingly unsupported. Ultimately, the goal is for the learner to be able to slip into the role of researcher, and use this process of creation and analysis of concordances, independently.

(Adapted from the teachers guide to the set of materials I produced for my Materials Development module)

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4. Awareness of ELF/EIL: English as a Lingua Franca and English as an International language have both been the subject of much debate over the last decade. (However, before I did my M.A. I was completely unaware of this!) Jenkins (2000) advocates for a shift away from imitation of native speakers in pronunciation teaching and towards a focus on intelligibility, identifying a lingua franca core of features which are of importance for this. If you are interested in this, I recommend reading Jenkins (1998), an ELTJ article in which she makes the case for questioning the appropriacy of Native Speaker models in a world where English is widely used as a means of communication between non-native speakers of English. However, ELF is no longer only discussed in academic circles, as illustrated by the recent #Eltchat discussion about it (summary here), which also makes good reading for anyone interested in this subject. For a summary of features of ELF pronunciation, you may also like to read Walker (2001) 

Practical ideas for use in the classroom: I would highly recommend sourcing Walker (2010), as this contains a wealth of ideas for adopting an ELF approach to pronunciation in the classroom, as well as an audio CD with samples of speech by ELF speakers. You will then have no shortage of practical ideas for use in the classroom! 🙂

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5. Metacognition: I discovered the idea of metacognition through reading Vandergrift and Goh (2012). The idea behind developing this in learners is that the more aware learners are of the cognitive processes they use in language learning, the more able they will be to deploy these effectively. Thus, instead of learners blindly following what the teacher tells them to do, learners are encouraged to think about and discuss *why* they are doing things and what benefits may be had in doing them. Over time, learners can be encouraged to reflect on their progress and identify areas to work on. Developing metacognitive awareness in learners goes hand in hand with developing their ability to learn independently.

Practical ideas for use in the classroom: After learners complete an activity from their course book, or of your own making, ask learners to think about and discuss what they gained from doing it, what they think the purpose behind it was and whether they can think of any ways in which it could be done more effectively in future lessons. (For a fuller treatment of Metacognition and ideas of how to bring it into your classroom, please visit my post entitled Bringing Metacognition into the Classroom – or if you are especially keen on this idea, you may like to read Vandergrift and Goh, 2012 – a wealth of practical ideas can be found therein!)

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6. Language Awareness approach This approach to language learning is based on the following 5 principles described by Borg, as quoted in Svalberg (1997:290-291):

  1. It involves an ONGOING INVESTIGATION of language as a dynamic phenomenon rather than awareness of a fixed body of established facts.
  2. It involves learners in TALKING ANALYTICALLY about language, often to each other.
  3. It considers essential the INVOLVEMENT of learners in exploration and discovery.
  4. It aims to develop not only the learners’ knowledge about and understanding of language but also their LEARNING SKILLS, thus promoting learner independence.
  5. The aim is to involve learners on both a COGNITIVE and AFFECTIVE level.

This encapsulates a holistic, discovery approach to language learning, which can easily be used alongside other methodological approaches such as CLT or TBLT. Rather than presenting linguistic features, create tasks that enable learners to discover these. (For a more detailed exploration of the Language Awareness Approach, take a look at this post of mine)

Practical idea for incorporating a Language Awareness approach: Draw learners’ attention to a feature of language within a text that they have already engaged with at meaning level. Get learners to think about how else the idea encapsulated in that form could be expressed. What effect would the different ways of expressing it have on the text? Why has the writer chosen this form? What might be the intended effect on the audience? What effect does it have on them as an audience?

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7. Consciousness-Raising approach: Ellis (2003: 163) describes the Consciousness-Raising Approach as ““a kind of puzzle which when solved enables learners to discover for themselves how a linguistic feature works”. Like the LA approach, discovery of and discussion about language are important, as is cognitive engagement. Within Task-Based Learning, a CR task could be used as the main task, as learners talk about a linguistic feature but are not compelled to use it. The non-linguistic outcome would be the observations generated. (For a more detailed exploration of the Consciousness-Raising Approach, take a look at this post of mine)

Practical idea for using Consciousness-Raising in the classroom: Identify a structure that you want learners to focus on. Create a set of sentences using the structure – this will be the data that learners use to extrapolate information about the feature in question. Prompt learners to notice how the structure is used and to formulate a rule for expressing this.

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8. Collocations: If words commonly occur together, it stands to reason that it would be helpful for learners to learn them together. Collocations can be divided into lexical collocations (e.g. noun-noun, verb-noun, adjective-noun) and grammatical collocations (e.g. verb and particle collocation). Some collocations are very strong: If I say what goes with “rancid”, you are likely to say “butter” but many are medium-strength and according to Hill (2000:64), “The main learning load for all language users is not at the strong or weak ends of the collocational spectrum, but in the middle – those many thousands of collocations which make up a large part of what we say and write.” The more aware learners become of the company words keep, the better able they will be to produce natural-sounding spoken and written language.

Practical idea for using collocations in the classroom: When you introduce new vocabulary, think about the company it keeps. If forms part of any common collocations, introduce these as well. Encourage learners to record common collocations rather than individual words. You could also create groups of sentences with a word common to all of them blanked out. See if the learners can identify what the word is through looking at the words around the gap.

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9. Phonology esp. the effect of connected speech on listening: “I can’t understand, they are speaking too fast” is a common complaint amongst learners in listening lessons the world over. In fact, often it is not the speed that is the issue but the effect that connected speech has on individual sounds in individual words. Whether it’s weak forms of functional words or elisions and assimilations of sounds at word boundaries, or simply the lack of the clear delineation of one word from another that is typical of written language, there is often a big gap between what is taught (dictionary pronunciation of isolated words) and what is heard in the speech stream (connected speech). Raising learners’ awareness of features of connected speech can help them understand what it is they are finding difficult about understanding the stream of speech, rather than feeling a general sense of failure. (I did my Delta LSA3 on Phonology, specifically helping learners with connected speech and found it a fascinating area of study.)

Practical idea for raising learners’ awareness of connected speech: When learners have already engaged with a text at meaning level, pick out phrases which showcase elision or assimilation or any given feature that you want to focus on, and use them as the basis for a task that helps learners discover how sounds change in connected speech.

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10. Spoken grammar: This was a particularly interesting discovery for me. There is a lot of difference between the way we speak and the way we write, yet we tend to expect learners to speak written English. Of course, it may not be relevant for learners to learn how to produce features of native speaker spoken grammar, but for others learning about this at least on a receptive level could be very helpful in making spoken language less opaque. Spoken grammar is closely linked with how language in conversation is co-constructed and context-dependent. An interesting example of  spoken grammar is the use of “though”. In written English, you may find sentences such as “Though the use of English as a Lingua Franca is increasing exponentially, many learners world-wide are compelled to approximate a Native Speaker model, whether or not this is relevant to their needs.” However, in spoken English it is often used as part of an exchange, e.g: S1: Mmm, lovely food! S2: Bit spicy though. Sometimes it is not even necessary for S1 to produce the first part of the exchange, if it is implicitly understood by both speakers. (After I learnt about how “though” is used in spoken language, from Dr. Timmis, I listened out for use of it, both mine and others’, and found it really interesting because until then I never knew I used it or heard it so often!)

Practical ideas for use in class: Re-write a course book dialogue so that it includes features of spoken grammar, so that learners can compare it with the original and identify the differences. Whether or not learners will then want to experiment with production of such features will depend on context and needs. (If you are interested in this area of language, I recommend reading Timmis (2005, 2012) and McCarthy and Carter (1995).)

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11. Features of casual conversation e.g. storytelling: Analysis of casual conversation is another fascinating area of study (and I would thoroughly recommend reading Eggins and Slade (1997) and/or Thornbury and Slade (2006) – even if you don’t want to use their theory in your teaching, it just makes interesting reading!). Storytelling is a very common feature of casual conversation, used for building and maintaining relationships and constructing identity. Eggins and Slade (1997) divide this genre into 4 sub-genres: narrative, anecdote, exemplum and recount, each of which exhibits different mixtures of Labov’s (1972) six possible narrative stages (abstract, orientation, complication,  evaluation, resolution and coda). Of these sub-genres, anecdotes are the most commonly told. Often forgotten but very important in storytelling is the role of the listener: this involves responding to what is being recounted through use of supportive noises or language called back-channels and evaluating what is heard. We can help learners by teaching them structural features of anecdotes and the chunks of language typically used to realise this, the importance of evaluative language and non-linguistic devices (e.g. gesture, intonation, pace) as well as how to listen supportively.

Practical ideas for use in the classroom: Jones (2001) describes a very useful activity for helping learners with storytelling. This involves producing two versions of an anecdote, one version should be bare of all structural language, evaluative devices and listener interaction, while the other should include these. Learners can be guided to notice the differences between the two versions and discuss the effect that these features have on a story. Useful chunks can be identified and recorded, and activities devised to enable learners to try using these.

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12. Storyboards: Online storyboarding software offers interesting possibilities for project work with learners. Using software such as www.wevideo.com (which you can access via Google Drive if you have a Gmail email account or register directly on the site), learners can combine images, film, text and audio (including voice recordings) in a single video clip.

Practical ideas for use in the classroom: Instead of culminating a project with a presentation, get learners to use storyboarding software to present their findings using a combination of images, film, text and audio. (Don’t forget to teach them how to source creative commons images using Google Advanced search or resources such as Eltpics ) You could also take this a step further and embed learners’ creations on a class wiki. 

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13. Learner autonomy: Learner Autonomy is one of those ELT buzzwords which everyone bandies about glibly. However, when you scratch beneath the surface, it’s not as simple as you might like. A range of theoretical perspectives on learner autonomy exist, and even once you’ve chosen which one(s) you agree with, you have to decide what kind of methodological approach you are going to use with it. Different perspectives and methodological approaches will suit different contexts and learning needs, and it is important to be sensitive to these factors. Personally, I’m a fan of the social constructivist theory of learning. Within this theory, learning involves forming connections between prior experience and new information,  and is achieved through collaboration with others. The sociocultural approach to learner autonomy is well-suited to this theory. The goal of autonomy within this approach is participation in a community, and great value is placed on mediated learning. In terms of methodology, I prefer Smith’s (2003) strong methodology, where the teacher works with learners to identify the autonomous learning strategies best suited to their individual needs, rather than transmitting  a set of behaviours in the assumption that learners are deficient in this respect. (For more information about these theories and approaches, see Oxford, 2003 and Smith, 2003)

Practical Ideas for developing learner autonomy: 

(Of course, this may be better suited to learners in an English-speaking environment, unless a specific community of practice has been identified, to which the learners want access.) An idea I’m developing in my dissertation project is a module of materials that equips learners to use the English outside the classroom, by guiding them through the process of researching, designing questionnaires, piloting these and then using them as well as analysing and presenting the data that they yield. The point here is that for learners to learn successfully outside of the classroom, they need to be prepared to do this in the classroom. This might be as simple as setting aside time each week for discussion of out-of-class activities that have been done, problems that have been faced and out-of-class work plans for the following week. Using tools like wikis and blogs is also likely to be more successful if their use is integrated into the in-class programme.

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14. Task-based language teaching: This is a strong form of Communicative Language Teaching, in which the task is the main unit of syllabus organisation. Definitions of task abound, but proponents all seem to agree that the main focus of a task should be meaning (rather than form) and that the main task needs to yield a non-linguistic outcome. The task cycle generally consists of a pre-task phase, the main task and a post-task phase, with the pre-task phase and post-task phase being optional. Willis and Willis (2007) argue that focus on form should only come in the post-task phase, though focus on language (which is learner-driven) can occur at any point. Ellis (2003) suggests that a Consciousness-Raising approach goes well with TBLT, and that a CR task can form the main task of the cycle because learners are not compelled to use a particular structure in order to complete the task – they are only required to discuss it, using language and structures of their own choosing.

Practical idea for use in the classroom: Turn an activity that you are planning to use with your learners into a task by adjusting it to ensure that it meets task criteria e.g. a focus on meaning, no explicit focus on form (if there is focus on form, learners should be unaware of this), yields a non-linguistic outcome. For example, instead of getting learners to read a text, turn it into a jigsaw reading, where the text is divided up between learners, who must collaborate, without showing their portion of the text to any classmates, in order to gain the whole story.

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15. Intercultural Approach: Rather than teaching culture as a fixed body of facts, Corbett (2003) recommends developing intercultural awareness and competence through a process approach to culture. Instead of treating the target language culture as a model, learners are encouraged to explore it and use it as a point of comparison with their own and other cultures, and helped to develop skills that can help them with this.

Practical idea for use in the classroom: Whenever possible, factor in reflective activities that encourage learners to compare how English is used to make meaning, and the cultural reasons behind this, with their L1/culture. This can often easily be integrated into whatever is being learnt linguistically. Discussing their own L1/culture heightens learners’ awareness of the influence this has on them and comparison with the target language/culture, as well as that of classmates in multilingual classes, increases sensitivity to difference.

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16. Constructivism and Social Constructivism in language learning: This approach to learning, which I am particularly fond of, is a humanistic model of learning. Beatty (2011:99) describes it as “a process by which learners construct new ideas or concepts by making use of their own knowledge and experiences”. Rather than being an empty page or a blob of clay to be moulded, as in Behaviourist approaches, the learner is considered rich with background knowledge and experience, which should be drawn upon in the classroom. When the learner meets new information, previous knowledge is restructured to accommodate it. The role of the teacher is to facilitate this. Social constructivism adds to this the importance of collaboration in learning, in the belief that learners can achieve more through interaction, with each other and/or with the teacher than they can individually. Vygotsky’s theories on this, including about the Zone of Proximal Development, which is “the idea that the potential for cognitive development is limited to a certain gap, which he calls the ZPD” (ibid:104), which learners cannot reach alone, have been influential.

Practical ideas for use in the classroom: Think about how you can facilitate learning rather than simply presenting learners with new information. Cognitively engaging collaborative activity represents a means of enabling this. So, incorporating a consciousness-raising task (see no. 7 above) or a language-awareness task (see no. 6 above) offers a means of experimenting with this. Another way is to exploit learners’ experiences and background knowledge in the activities you ask them to do. (See no. 22 below).

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17. Cognitive engagement and affective engagement: To engage learners cognitively is to challenge them mentally by increasing the depth of processing necessary to complete an activity. Some activities require greater cognitive engagement than others. Those that require greater cognitive engagement are those that stimulate use of higher order thinking skills. (See Penny Ur’s IATEFL seminar on this topic, which will be available soon on the IATEFL website members area). To engage learners affectively is to stimulate an emotional or personal response to what is being learnt. This stimulates different areas of the brain and proponents believe that this kind of stimulation is important for effective language learning.

Practical ideas for use in the classroom: When planning a lesson, consider what types of engagement your sequence of activities is stimulating. See if there is a balance of cognitive and affective engagement being facilitated. If there isn’t, think about ways that you could adjust the sequence to allow for greater cognitive or affective engagement.

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18. Cuisenaire Rods: I did my Delta Experimental Practice on Cuisenaire Rods – I had met them during my CELTA course and they had intrigued me, but I had never got round to using them in the classroom. Cuisenaire Rods originated in the primary maths classroom, but were introduced into ELT by Caleb Gattegno, through a method known as “The Silent Way”. The rods come in a range of sizes, all multiples of the smallest, and each size is a different colour. They are very useful in eliciting language and ideas from learners and can represent anything from word stress to a scene in a story.

Ideas for use in the classroom: My favourite way of using Cuisenaire Rods, which I used as the basis of my Experimental Practice lesson plan, is to get learners to use them as a storytelling aid. I modelled this process first, eliciting a story from the learners, and then had the learners use the rods to tell the stories depicted in the newspaper articles that they read at the start of the lesson. One thing I learnt from doing this Experimental Practice is the importance of having a clear reason for using the rods and a clear idea of the balance between accuracy and fluency within the classroom (see no. 30 below). Underhill (2005) contains ideas for using rods to help learners with pronunciation and Neil (2006) offers a variety of activities that can be done using rods.

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19. The history of Methods in ELT and Principled Eclecticism: ELT has a rich history of methods, based on various theories of language, teaching and learning and influenced also by theories of psychology. While we often pooh-pooh old methods from our comfortably superior super-modern position, it’s worth bearing in mind that each of them offers valuable elements that can be incorporated into our teaching. So, for example, from the Grammar-Translation method, we might take on board the value of using translation as a learning tool – perhaps as a means of contrasting the target language with learners’ L1 (see no. 29 below). From Audiolingualism, we might incorporate the odd bit of drilling, to give learners a chance to get their mouths around new bits of language. And so it goes on… (For a full account of method in ELT and what the good bits of each might be considered to be, I highly recommend watching @chiasuan’s webinar on the topic) 

Practical idea for use in the classroom: Pick a method and research it. Try to identify if you use any of its techniques in your teaching already and what principles the method is using them to embody. See if there are any other techniques associated with it that you could try out. For example, you might look at the Silent Way and decide to experiment with using Cuisnenaire rods (for ideas of how to do this see no. 18 above.)

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20. The Text-driven Approach: This approach is most heavily associated with Brian Tomlinson (E.g. see Tomlinson, 2008) and draws on an experiential approach to learning. It is based on the idea that for language learning to be most effective, all areas of the brain should be stimulated during the learning process. Thus affective engagement is as important as cognitive engagement. (See no. 17 above for more on cognitive engagement and affective engagement) Materials which embody this approach ask learners to do activities which generate a multidimensional representation of the text in their brains. For example, learners may be asked to visualise, to draw, to share their visualisations/drawings, to develop these in further activities, to respond to the text creatively, and finally to consider the language used in the text. Activities are designed to help learners approach the text in the way that they might if they were reading or listening in their L1.

Practical idea for using the Text-driven Approach: Use a fictional extract or a poem in the classroom, and ask learners to read/listen to it and imagine how they would feel if they were the main character. Get them to imagine a conversation between characters. Ask them to draw up a list of interview questions for the main character and imagine the responses. Get them to imagine the sights/sounds/smells that characters in the extract/poem might be seeing/hearing/smelling. Identify a feature of language and get learners to create a concordance of the occurrences of this within the text. They can use this to look for patterns. (For more on concordancing, see no. 3 above)

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21. Principled use of Multimedia tools: With the proliferation of multimedia tools that can be used in the ELT classroom, the decisions of whether or not to use them and how best to use them if you choose to become very important. There is a need for absolute clarity regarding the pedagogical benefits of use and the requirements – is it a tool learners are familiar with from out-of-school use or is it brand new to them, in which case using it AND learning English through using it may create an overly large cognitive load. If you want learners to use it outside of the classroom, how are you going to ensure that they are able to do this effectively? If you are going to use it in class, is the time that will be spent on it worth the gains that will be had from using it? Could what you are doing with it be done more efficiently without it? If you are interested in how multimedia and theories of learning/language relate, Beatty (2010) is worth reading. (There’s certainly a lot more to consider than I was aware of before I did my Multimedia and Independent Learning module at Leeds Met!)

Practical idea for use in the classroom: Next time you decide to use a multimedia tool, ask yourself the questions in 21. and make sure you are clear on your reasons for use, the potential benefits and drawbacks, and how you will maximise the former and minimise the latter.

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22. The importance of schema and schemata activation:  This is related to the Constructivist theory of learning (see no. 16 above). Schemata are like mental mind maps, which we continually adjust, update, add to and delete from, as we take in new experiences and information. Thus, it is a rich resource to tap. If a learner is going to listen to or read a text, it is likely that they will be much better able to do this if they have first activated any background knowledge they have on the topic. This enables them to make more effective predictions about what they will read or hear, and what vocabulary they might encounter in the process.

Practical ideas for use in the classroom:  Use visual stimuli or verbal/written prompts to encourage discussion around the topic upon which the reading or listening text that you are planning to do with your class is based. Give learners the opening of the text and get them to predict what might come next. Get learners to predict what vocabulary they might see or hear. Learners can then check their ideas and predictions against what they see or hear. New information and language can then be connected to existing knowledge. (For more about schema theory, Beatty, 2010 gives a useful summary)

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23. Effective scaffolding – within a task, within a lesson, within a course of materials: For me, the question at the root of this is “How am I going to help learners to do this better?” Whether this is reading/listening to a text, telling a story, understanding a feature of language, it will be more effective if the answer to this question is clear. Providing effective scaffolding is  a way of helping learners work in their Zone of Proximal Development (Vygotsky), where what they are able to do is greater than it would be without the mediation of a more experienced other. Over the length of a course, it may benefit learners to be given gradually less scaffolding, as they gain in confidence and proficiency, as the less scaffolding there is, the more independent learners need to be in carrying out whichever activity it is, which will benefit them outside of the classroom.

Practical idea for use in the classroom: It’s as simple as: When planning a lesson, think about and answer the question, “How am I helping learners to do this better?” and make sure that whatever you are planning does help learners do something better  in some way.  (I will confess to not considering this clearly until my Delta LSA2 tutor recommended that I do! Since then, it is has become an integral part of my planning.)

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24. Different methods of error correction: Who knew there were so many?! The most straightforward one is to provide the correct answer when a learner makes a mistake – be it grammatical, lexical, phonological or an answer to an activity question. However, this may not be the most effective in terms of potential learning yield. If you are told something, it is very easy to forget again. Guiding learners to the correct answer, rather than simply providing it, increases their cognitive engagement and makes the learning more memorable. Of course, which method to use depends on the type of error, the context in which its made, the focus of the lesson phase during which it is made (see no. 30 below) how much time you consider it worth spending on that error and so on.

Practical ideas for use in the classroom: Instead of simply providing the correct answer, give the learner a chance to self-correct (learners often can – and it also gives you time to think about how best to deal with the error if they are not able to!) and then throw it open to the rest of the class, to see if they are able to peer correct. Use elicitation questions to help nudge learners towards the correction. For example, if learners stress a word wrongly, get them to repeat the word and see if they pronounce it correctly this time. Then ask the rest of the class how they think it is pronounced. If they still can’t get it, provide another word that is stressed similarly. Ask them how many syllables it has and where the stress is, and get them to apply this to the original word.

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25. Classroom-based research: This is, or can be, related to reflective practice (see no. 1 above) and refers to systematic experimentation within the classroom. You might want to find out what is causing a particular pattern of behaviour in your classroom, why things are or aren’t happening and try out different ways of doing things that may or may not turn out to be more effective with your learners. You follow a cycle of identifying what it is you want to investigate, perhaps seeing what’s written about it in the literature, decide what you are going to try doing, then collect your data (through observation, eliciting learner feedback, getting colleagues to observe you etc) and analyse it and then reflect on your findings and what they might mean. From this you identify whether or not what you tried was successful/worth doing again and you identify other areas of interest to follow up, and from here you return to the literature to continue the cycle. (I’ve seen it represented visually as a spiralling cycle.)

Practical idea for use in the classroom:   Well I suppose this is obvious enough! – Try out the above process and see what you can find out!

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26. Teaching listening rather than testing listening: Field (2008) suggests that listening lessons are often a test of listening rather than an opportunity for listening skill development. Listening in a second language is a complex business, so it stands to reason that it would be more helpful to teach learners how to do it better rather than simply testing what they are currently able to do. The benefits for learners would include understanding their difficulties and being better able to tackle these, rather than simply finding it difficult and assuming they are incapable. (Prior to doing my LSA 2 on listening, during which process I read Field (2008) amongst other things, I confess that this was yet something else I had no idea about – I just did the usual listening lesson, which consists more of testing than teaching.)

Practical ideas for use in the classroom: Rather than simply getting learners to listen to a recording and answer the questions, then providing them with the answers and moving on, try this: Use ideas from Tomlinson’s text-driven approach (see no. 20 above) to encourage learners to use their whole brain in listening to the recording, deploying all their background and contextual knowledge too. Then, after they answer the set questions, have them discuss their answers in pairs and listen again to resolve any disagreements.  Once you’ve finished with the set questions, let learners look at the transcript and check their answers. Then, you can do some work with the transcript – perhaps some awareness-raising for features of connected speech (see no. 9 above), for example. You could also get learners to analyse the problems they’ve had, which can be scaffolded by providing them with a set of problems to choose from and apply to what they weren’t able to understand of the recording. Finally, get learners to discuss this process that you have taken them through. Ask them to reflect on what they’ve learnt, how it benefitted them during this class and how it could benefit them outside of the class. For further ways of helping learners with listening, see Field (2008) and Vandergrift and Goh (2012), from which I learnt about these approaches to teaching listening.

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27. Evernote: This is a brilliant tool – for teachers as well as learners! It is essentially a curation tool. For teachers, it is a handy way of saving anything you come across online – journal articles, website links, magazine/newspaper articles etc – or create offline – word documents, powerpoint presentations etc – that could come in handy later on, for use in lessons or as a reference. For learners, the same applies, which could be useful for project work, for example,  but in addition learners can use it as a repository for their work – an e-portfolio (this idea I heard mentioned at a talk at IATEFL 2013, but I can’t remember which – if it was yours, please let me know so I can attribute it!). You can divide things up by creating extra notebooks and index things through use of tags, which makes it very easy to organise what is collected or produced so that it is very easy to navigate.

Practical ideas for use in the classroom: Get learners to create their own Evernote account and use it as described above, putting in anything they feel worth holding on to. You could get them to create notebooks for different things, including one or more for their own work. Periodically you could encourage them to look over what they have done and reflect on their progress. You could also create a class account, for project work. Each group could have their own notebook and use it for collaboration. They could use the note-writing facility to communicate with each other.

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28. Skill development: How can we help learners develop skills? As mentioned above (see no. 26) Field (2008) suggests that listening lessons are often a test of listening rather than an opportunity for listening skill development. In many course books, speaking activities provide opportunity for oral production of a particular structure or opportunity for personalisation of a topic, but what about skill development? One way of incorporating skill development into a lesson is to break something down into its constituent sub-skills and devise ways of helping learners manage these better. Another way is to raise metacognitive awareness (see no. 5 above) of sub-skills. On a simpler level, classroom management can also be used to benefit skill development.

Practical idea for use in the classroom: Rather than just making learners listen/read/speak/write, provide them with tasks that scaffold the process (see no. 23 above for more about scaffolding) and raise their awareness of the sub-skills and processes that listening/reading/speaking/writing require. For example, instead of just getting learners to tell a story, using the narrative tenses you’ve been focusing on in class, help them develop the sub-skills for effective storytelling, e.g. use of evaluative language, structural language, supportive listening, paralinguistic devices and so on. Get them to compare these with how they are realised in L1. Or, instead of just getting learners to read and answer questions, teach them techniques for dealing with unknown words. 

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29. The use of L1 in the classroom: For a long time, use of L1 was frowned upon because it meant less opportunity for use of L2. However, translation is always happening in the classroom – inside learners heads – and it can be put to good use. L1 can be used as a point of comparison with the L2: comparing how different speech acts are realised in the L1 as vs. the L2, for example, can be very useful for raising learners’ awareness of both similarities and differences. This enables more positive transfer, where relevant, and minimises negative transfer.

Practical idea for use in the classroom: After working with a text, or doing a task, get learners to translate some of the language used into their L1 and then compare this with how they would really express those concepts in L1. How much difference is there? Then have them translate the product of that exercise back into English. How different is this from the original English? What effect do the differences have?

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30. Fluency/Accuracy/Complexity: At any given point in a lesson, activities may be geared towards developing learners’ accuracy, or increasing their fluency or promoting complexity of language use, or some combination of these. Factors such as how much cognitive load the activity places on learners, and how much performance stress there is, affect the level of attention learners can direct at each. All requirement development, so it is useful to consider when planning what the focus of each activity planned is, and whether overall there is a good balance of activities.Task repetition may be used to develop fluency and complexity, because these can increase as the cognitive load of the activity decreases through familiarity with content. Being aware of the focus at any given stage in the lesson will also influence error correction (see no. 24 above) – during an accuracy phase, error correction will often be explicit and immediate, whereas during a fluency phase, error correction may be delayed. (This may seem so obvious, but before I learnt about this during the Delta, my error correction was very unsystematic, as I hadn’t considered the relationship between lesson focus and treatment of errors. There may be no hard and fast rules, but I have found it useful guidance.)

Practical ideas for use in the classroom: When planning a lesson, think about the fluency/accuracy/complexity goals of each activity and how this might influence how it is carried out in class. Think about how the activities/tasks/exercises could be tweaked to make it easier for learners to achieve the desired focus. Think about the balance of activities you have planned and make sure you are happy with the amount of focus on each component (fluency/accuracy/complexity).

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References:

Beatty, (2010) Teaching and Researching Computer-Assisted Language Learning. 2nd Edition. Pearson Education Limited. Harlow.

Eggins and Slade: Analysing Casual Conversation. Continuum. London. 1997.

Ellis, R. (2003) Task Based Language Learning and Teaching Oxford University Press

Field, J. (2008) Listening in the Language Classroom Cambridge University Press.

Hill, J. (April 1999) Collocational Competence in English Teaching Professional Issue 11, pp.3-7. Pavilion.

Jenkins, J. (1998) Which pronunciation norms and models for English as an International Language? ELTJ vol. 52/2

Jones, R. (2001) A consciousness-raising approach to the teaching of conversational storytelling in ELTJ volume 55/2. Oxford University Press.

McCarthy and Carter (1995) Spoken Grammar: What is it and how can we teach it? in ELTJ vol. 49/3 Oxford University Press.

Neil, J. (2006) Chameleons of the Classroom. English Teaching Professional • Issue 45 •

Oxford, R. (2003) Towards a more Systematic Model of L2 Learner Autonomy in Learner Autonomy Across Cultures. Ed Palfreyman, D and Smith, R. Palgrave Macmillan.

Smith, R. (2003) Pedgagogy for Autonomy as (Becoming) Appropriate Methodology in Learner Autonomy Across Cultures. Ed Palfreyman, D and Smith, R. Palgrave Macmillan. Basingstoke.

Svalberg, A. (1997) Language awareness and language learning in Language Teaching vol. 40/4. (Abstract: http://journals.cambridge.org/abstract_S0261444807004491) Cambridge Journals.

Thornbury S. and Slade D. Conversation: From Description to Pedagogy. Cambridge University Press. Cambridge. 2006.

Timmis, I. (2005) Towards a framework for teaching spoken grammar in ELTJ vol. 59/2 Oxford University Press.

Timmis, I. (2012) Spoken language research and ELT: Where are we now? in ELTJ vol. 66/4 Oxford University Press

Tomlinson, B.(2003) Developing Materials for English Language Teaching  Continuum.

Underhill, A. (2005) Sound Foundations. Macmillan. Oxford.

Vandergrift L. and Goh, C (2012) Teaching and Learning Second Language Listening.Routledge.

Walker, R. (2010) Teaching the Pronunciation of English as a Lingua Franca Oxford University Press

5 ways of using Images in the Classroom

Pictures can pack a powerful punch and they can be a very handy tool for use in the classroom. Here are five different ways of using them:

1.

  • Choose a selection of images from the ELTtpics idioms collection.
  • Write out the corresponding idioms on separate pieces of paper and attach these to the classroom walls.
  • Put your learners in groups and give each group a few images to look at.
  • Each group should walk around the classroom, look at the idioms on the classroom walls and stick each picture they were given with the idiom that they think goes with it.
  • Form new groups, each consisting of two of the previous groups and give the learners time to explain their choices to the members of the other previous group.
  • Idioms are often used as a means of evaluating a situation or a story. Ask learners to think what kinds of situations could be evaluated using their idioms. Ask learners to think of a story that could be evaluated using their idioms. This could be of their own creation or a story/fairytale/myth/folktale of English or L1 background.
  • Do a mingle, allowing learners to tell their stories, using idioms to evaluate them. Give them a purpose such as deciding which story they hear is a)the funniest  b)the most interesting c)a superlative of their own choice

2.

  • Find some interesting pictures, with lots going on in them.
  • Put learners in groups and give each group a different picture.
  • Ask learners to discuss what’s happening in the picture.
  • Ask learners to think about who the people in the picture are. Learners should give them names, personalities etc.
  • Ask learners to think about what happened before the picture was taken and what happened after the picture was taken. Encourage creativity.
  • Get the learners to turn their responses to the above three bullet points into a short skit.
  • Give learners the opportunity to perform their skit for the rest of the class to watch.

3.

  • Find some interesting pictures, with lots going on in them.
  • Put learners in groups and give each group a different picture.
  • Ask each group in turn to use themselves and anything else in the room (except other people) to make a tableau of the picture.
  • The other learners should then be given a few minutes to discuss what might be happening in the tableau and turn it into a short story.
  • Each group tells their short story to the tableau group.
  • The tableau group get to choose which story of their tableau they like best.
  • Optional writing activity could be done as a follow up.

4.

  • Gather a fairly substantial number of pictures together.
  • Put learners in groups and give each group a reasonable number of pictures.
  • Ask learners to look at all their pictures and think of a way to categorise them.
  • Learners should discuss what the categories should be as well as which pictures should belong to which category and why.
  • Once learners have finished doing the above, gather all learners around each table in turn and let the group whose table it is explain how they categorised their pictures. The other learners can make suggestions for how else the pictures could have been categorised.

5.

  • Give each learner a different picture. (Pictures should have people in them)
  • Put the learners in pairs
  • Each learner should take it in turns to tell their partner about their picture as though they are the person or one of the people in it. They will need to talk about what’s happening in the picture, why it was happening, why it was photographed/painted/drawn and why it’s special to them.
  • Do a mingle activity where learners start by telling their story (repeating roughly what they talked about in the above bullet point) and then have the opportunity to steal their partner’s story and tell that to somebody else. Each time they hear a story they prefer to the one they’ve been telling, they steal it and tell it.
  • When this has been done a handful of times, get learners to establish whose stories are still being told.
  • You could use this activity in conjunction with a lesson on storytelling (using structural language, evaluative language, responding appropriately etc)

Let me know how it goes if you use any of these activities, either by commenting on this post or letting me know if you’d like to do a guest post about it. If you have other ideas for using pictures or for adding to the above ideas, feel free to share them by commenting – the more the merrier!

Enjoy!